Currently in production, it will be available from the end of March. Listen to Layer Cake over at www.myspace.com/kano679. More tunes from the mixtape will be uploaded there over next few weeks. Album, London Town, will follow June/July time.
Wednesday, 14 March 2007
Tuesday, 13 March 2007
Logans Chart
From last month...
1. Skepta - Sweet Mother
2. Ruff Sqwad - From A Place
3. JME - Boy Better Know
4. Tinchy Stryder - Breakaway
5. Ghetto - Top 3 Selected
6. Wretch 32 - Cycle
7. Aftershock ft Teddy Bruckshot - Work
8. Roll Deep - Celebrate That Remix
9. Scorcher - Fly Away
10. Footsie – Showerman
Hear Logan Sama on Kiss100 FM, Monday's 11-1am. http://www.logansama.blogspot.com Enquiries: info@logansama.com
1. Skepta - Sweet Mother
2. Ruff Sqwad - From A Place
3. JME - Boy Better Know
4. Tinchy Stryder - Breakaway
5. Ghetto - Top 3 Selected
6. Wretch 32 - Cycle
7. Aftershock ft Teddy Bruckshot - Work
8. Roll Deep - Celebrate That Remix
9. Scorcher - Fly Away
10. Footsie – Showerman
Hear Logan Sama on Kiss100 FM, Monday's 11-1am. http://www.logansama.blogspot.com Enquiries: info@logansama.com
Monday, 12 March 2007
Sunday, 11 March 2007
RIP Common Sense
Today we mourn the passing of a beloved old friend, Common Sense, who has been with us for many years. No one knows for sure how old he was since his birth records were long ago lost in bureaucratic red tapes.
He will be remembered as having cultivated such valuable lessons as knowing when to come in out of the rain, why the early bird gets the worm, life isnt always fair, and maybe it was my fault.
Common sense lived by simple, sound financial policies (dont spend more than you earn) and reliable parenting strategies (adults, not chidren, are in charge)
His health began to deteriorate rapidly when well intentioned but overbearing regulations were set in place. Reports of a six year old boy charged with sexual harassment for kissing a classmate, Teens suspended from school for using mouthwash after lunch, and a teacher fired for reprimanding unruly children.
It declined even further when schools were required to get parentel consent to administer aspirin, sun lotion or a band aid to a student- but could not inform the parents when a student became pregnant and wanted to have an abortion.
Common sense lost the will to live as the Ten Commandments became contraband. Churches became businesses, and criminals received better treatment than their victims.
Common sense took a beating when you couldnt defend yourself from a burglar in your own home and the burglar could sue you for assault.
Common sense finally gave up the will to live after a woman failed to realise that a steaming cup of coffee was hot. She spilled a little in her lap, and was promptly awarded a huge settlement.
Common sense was preceded in his death by his parents, Truth and Trust. his wife Discretion, his daughter Responsibility, and his son Reason
He is survived by three stepbrothers, I know my rights, Someone else is to blame, and I'm a victim.
Not many attended his funeral because so few realised he was gone.
If you still remember him pass this on, If not join the majority and do nothing.
Nuvole Bianche
Perfect for a Sunday afternoon kicking back and recovering from Saturday (or life in general), if you don't have Ludovico Einaudi's album Divenire, it comes highly recommended. I don't know much about classical except what I like and since getting this yesterday haven't taken it off. Standout track definitely Primavera.
London Paper 14
ON THE SCENE: CHANTELLE FIDDY
If you’re looking for an injection of bass this weekend, there’s only one place to achieve a high this legal – DMZ at Mass, Brixton. Renowned for their soul imploding sound system, fresh beat dropping and more, it looks set to be another road block affair for the bi-monthly event celebrating it’s 2nd Birthday on Saturday.
Founded by south London based producers Mala and Coki (of Digital Mystikz) alongside Loefah, DMZ promotes a community atmosphere, bringing together people who like to ‘meditate on bass weight.’ “That came into my head when Loefah was designing the first flyer, because it’s what I do when I’m making beats,” explained Mala, who’s responsible for speaker-shattering tracks like ‘Bury Da Bwoy’ and ‘Da Wrath’. “I don’t understand why so many clubs in the world and London, catering for people who are coming out to hear music, don’t have a good sound system. Ultimately DMZ is about sound, not fancy visuals or what you look like. We want you to get what we’re dealing with; the high frequencies and the sub low frequencies which you can’t hear but you feel (that shit) in your chest.”
Commonly regarded as a dubstep night, a sound that was spawned from the dark 2step made by the likes of EL-B, Zed Bias and Steve Gurley in the late 90’s, it’s not strictly true. Every DJ on the line-up (the majority of whom are also producers primarily playing their own music) comes with a fresh perspective, crossing over into the techno, breaks, electro and grime arenas.
But a lot’s changed since the first event that had them filling the 3rd Base room in Mass with 200 people. With attendance figures growing at every event, DMZ has quickly garnered cult status, even making their debut in New York last week. “We have international visitors from Europe and America who come over specifically for the event. They’ll go record shopping on Saturday at Blackmarket then come to us in the evening - it’s like the DMZ weekender… A lot of friendships have been formed, call me hippy but it’s about spreading love.” Thankfully it’s no PR spin and the regulars agree. “For me it’s all about community,” said Mark Guerney, a project manager by day. “The fact you can go to either FWD>> at Plastic People or DMZ and mingle with the very creators and pioneers of the sound is a revolutionary attitude in dance music.”
You’ll need to get in the queue early though. On the first anniversary last March, they full capacity within the first hour of opening, with an expectant 400 revellers waiting for a slice of the action outside. So what did they do? Moved the party into the main room of course - and they haven’t gone back since.
Among the many DJs making sure the party pounds through the night this time around are Kode 9, Plastician (Radio 1), Benny Ill, Benga, Random Trio, Distance, Hatcha, Skream, Youngsta and D1. And given the event runs from 8pm till 6am, you’re advised to bring earplugs if you want to hear the Eastenders omnibus on Sunday.
Go to www.dmzuk.com for more info
A version of this article appeared in The London Paper
Lonon Paper 13
When I first moved to London, thanks to films, television and romantic visions, I had some rather unrealistic view of what to expect on the club scene. The local clubs I was accustomed to, you went to simply because it was better than sitting in the park with a bottle of Thunderbird. Bad platform shoe spotting or market outfit spotting aside, there was very little on offer to stimulate the imagination.
But London hasn’t lived up to expectations either. My most memorable evenings over the last six years tend to be due to the company, exceptionally good DJs, or more commonly because of obscured recollections courtesy of lethal alcoholic concoctions. Come to think of it, one of my most wild nights out in 2006 was down to my mate White Russian. Accompanied by white wine and black sambucca, flashbacks include joining a gay rapper in sequin hot pants on stage and trying to reenact a scene from Dirty Dancing. I’m not talking about the samba either. Yes, In front of a hoard of colleagues I got on all four and drunkenly crawled across the stage. Sex bomb no. Laughing stock yes.
So where is the effort? Obviously, when running a nightclub or being a promoter cost is a big factor, but anyone’s who watched Blue Peter will know, with a bit of resourcefulness and time, a lot is possible.
There are nights out there, on the quest for innovative experiences, that don’t require liver damage to endure. Regrettably, they’re often invite only or strictly on a need to know the organiser tip. Without a doubt the best party I’ve ever been to was the work of Face Party, an online company who were celebrating their birthday with a heaven or hell theme. On arriving at the east end venue the two entrances, sluts and virgins, were guarded by burly looking women in S&M gear, armed with fake weapons and whips. That was nothing compared to what greeted you inside. The main room boasted bloodied (plastic) bodies hanging from the ceiling, waiters provided shots in urine sample containers, raw meat lined the underneath of the glass bar, performance artists swung from Chandeliers, while topless teens and drag queens danced alongside one another. Then there were the ice sculptures, a lovers lounge, a mystical forest and cave area - even the toilets were modeled around a peep show.
While this was probably a once in a lifetime adventure, with a bit of know-how, you can find spots in London to get a fix of something other than the norm. Tonight, at the Royal Vauxhall Tavern on Kennington Lane, the VauxhallVille Cabaret Spit ‘n’ Sawdust Spectacular promises cabaret, risqué screenings, burlesque, drag queens and no frills fizz. And if you’re fed up of lazy Sunday nights, pay the Bloomsbury Bowling Lane on Russell Square a visit. This weekend We Came From The Moon present live bands alongside cabaret, film screenings and art performance. If you come dressed as a robot or don a silver mask, trilby hat, leggings, baby dool pyjamas or zoot suits, among other things, entry is only £4. All you have to hope is that your attire matches those awfully mundane bowling shoes.
A version of this article appeared in The London Paper
Monday, 5 March 2007
DMZ Memories?
I'm doing my London Paper clubs column on DMZ, who celebrate their 2nd birthday this coming weekend. Have you been before? If so what's your best memory? And why do you think DMZ hold the reputation they do? What are you most looking forward to next Saturday? All contributions much appreciated...
Thursday, 1 March 2007
Sunday, 25 February 2007
Recipe Of The Week
Like Kano I'm getting back into cooking so I'm looking to try out some new, more bizarre flavours. In the first installment this week we go for a portion of Baked Bean Fritters. Warn your neighbours cause the wind speed is about to be increased...
You will need:
1& 3/4 cups of all-purpose flour, 2 teaspoons baking powder, salt & pepper (not the rap outfit, although playing it in the background isn't a bad idea), 4 eggs, 2 tins of beans, a green pepper, 1 small onion, a bit of brown sugar, garlic powder and some oil (they say a cup but boy, I don't want a heart attack just yet).
Mix up you flour, baking powder, salt, pepper, and eggs until well blended. Add the remaining ingredients, except the reserved sauce and the oil. In a large skillet (dunno what this is either), heat the oil over medium-high heat. Drop the batter by teaspoonfuls into the oil; brown fritters on both sides, turning when the sides begin to bubble, after about 1 minute. When fritters are golden and crispy all over, drain on a paper towel lined plate. Repeat until all the batter is used or your bowels can't take the strain. Meanwhile, in a small saucepan, heat the reserved baked bean sauce over low heat until warm. Serve as a dipping sauce with the fritters.
Next week: The Space Wrap
One For The Kids?
Possibly one of the most bizarre barbies - ever - my sister owns one and there's even a magnetic stomach that you put over the hole, until your read to act out scenes of labour or whatever children do with pregnant barbies. On a similar note, the JumpOff have teamed up with the ‘Want Respect’ campaign, aimed at targeting sexually active teens in England and cutting pregnancy rates amongst the young. Check out the video clips at http://www.jumpoff.tv/wantrespect.php or http://www.myspace.com/wantrespect
London Paper 12
Forget Britney and her shaven head, it’s all about girl power in club land this week as a new bunch of ladies hit the town.
The glam squad known as Girlcore are set to make their mark at Catch, 22 Kingsland Road tonight. “Me and and a bunch of girlfriends jokingly started calling ourselves GIRLCORE - and now its taken on a life of its own,” reckons Sup Mag’s Marisa. After a series of parties, out of town trips and an article in Elle they’re putting on a night of their own. “We're not serious promoters, but everyone can actually DJ (except me!) so come and hang out with us girls, guys, gayers, whoever!”
But the night really getting the crowds excited this week, what with funky house continuing it’s takeover of the airwaves and commercial club land, is the new night launching at the legendary Ministry of Sound. This Friday, Release, will feature the best in up-lifting, soulful house beats and funky bassline groves.
Although the line-up in the main room features big name DJs Paul ‘Trouble’ Anderson, Grant Nelson, Aaron Ross and Mr Arkoss, it’s the all lady affair in the bar, courtesy of the Pussy Galore promotions team, that’s causing a stir. “We’re all about celebrating the value of female DJs and indeed all women who work hard in this industry”, says Pussy Galore promoter Victoria Beri. “For me personally, after having been a DJ & Artist booking agent for many years, I know that it can be pretty hard at times if you are a female DJ trying to get work.” Beri is confident they won’t be a passing fad either. “Having worked in the music industry since 1990, I have seen these all-female collectives come and go, but I believe Pussy Galore is different because there are no hidden agenda’s and no-one has an ulterior motive, it’s just all about fabulous female talent.”
Pussy Galore’s debut at Ministry will feature a mix of DJs from various radio stations that have already made their mark on the scene. “Lady T, my promotions partner, will be heading our girls into battle on the night. I say battle but only because it’s an all male line up in the main room. It’s not a contest, but obviously the more support we get the better - especially from the ladies out there.” Other femme fatales representing on the wheels of steel, or plastic CD decks, as they tend to be nowadays, are rising talent Anna B, Jolie, Danielle Dominique and Tayo Maroine. Also expected to go down something like Clinton on Lewinsky is the PA from Ear Dis of their current club smash, the aptly titled ‘Hey Girl’, which due to popular demand is set for a re-release this March. It’s a girls night out to be reckoned with that’s for sure.
Release will be on the 3rd Friday of every month at Ministry of Sound, 103 Gaunt St, London SE1 6DP. 10.30pm-4am: £8 b4 midnight, £12 after.
A version of this article appeared in The London Paper.
Saturday, 24 February 2007
N Dubz - About To Blow
They’ve already been compared to The Black Eyes Peas, but N-Dubz are taking the UK by storm their way or no way... Words by Chantelle Fiddy image by Kevin Joseph
Every month we think really hard about who deserves our coveted About To Blow mantle. This month, when Chewy ‘make ‘em and break ‘em’ Richards mentioned maybe doing those three kids that have got schools and streets on lock, the answer was a resounding ‘Yes.’ Without a doubt, it’s N-Dubz time. Meeting the north London trio on their home turf in Camden, it becomes clear that such is their popularity that once the bell rings, it’s every man for himself. “Come with us to a few primary schools and you’ll see what happens...” singer and lyricist Dappy explains, rather excitedly, over a chicken wing. “Can you believe I was on a boat coming back from France, in the toilet taking a piddle, and I turn around to find some guys facing me and they say ‘You’re that baby in the cot (from the video)! Oh my God - can we have an autograph’. We’re building up our fan base like hotcakes.”
Since hitting screens with Better Not Waste My Time and current heater I Swear, which was No. 1 on Channel U for over two months, there’s been no stopping the screaming kids, hollering record labels or their songs echoing from mobile phones up and down the country. Celebrity fans already include Kano and Rio Ferdinand and they’ve already had a couple of deals on the table. Taking inspiration from song-writers such as Phil Collins and George Michael, they’re not your average R&B or rap outlet either. But Tulisa, 18, cousin Dappy, 19 and best friend, Faze, 19 have been making bedroom bangers for the last eight years. “They're both mad," says Tulisa. "But Dappy is the motivator, making us get on it and getting on point. I’m the mother hen moaning at everyone. They’ll be bringing girls to the studio and I’m like ‘Get them out, we need to record’. Every week I’m giving them condoms saying ‘Protect yourself, we don’t want any babies!’ They’re very protective of me with guys though.” Under the guidance of Dappy’s dad, a session musician, they recorded a garage album in their teens and released a low-key (or as Tulisa puts it, ‘gutter’) video for an old song, Everyday Of My Life, which didn’t garner much support.
“That was then and this is now,” says Faze. “People are calling us the UK version of the Black Eyed Peas, but we’re not. We’re coming up with tunes that window cleaners can sing along to when they’re scrubbing... We’re doing this for Japan, Germany, everywhere. If you’re not doing it for this reason, you might as well stop now.”
And with major record label negotiations on-going, world domination might not be far off for N-Dubz. However, these forward-thinking three still plan to release their next single, Feva Las Vegas, on their own label, LRC. RWD can also exclusively reveal they’ve done a battle style collaboration with L. Man and Narstie over the name N Dubz (Ed: see Page 39 for L. Man’s thoughts on the two crews sharing a similar name).
“Who won? Who do you think” laughs Dappy. “It’s two thousand and heaven, baby. Heavens on our side and we’ve got the bangers coming. Go buy them and make us rich cos we’re starving. I’m on TV and I’m still wearing odd socks!”
Worst beating your mother’s given you?
Faze: One time, when I was about 11, we put a hose through someone’s window and I got taken home by the police... then that was it after the Feds went. The broom came out - it broke on me.
Tulisa: The first time I came home smashed when I was 14. I was in my room throwing up after an all-nighter drinking vodka shots.
Best advice from Ma?
Faze: ‘Don't trust no one!’
Tulisa: Can I swear? ‘All men are f*ckers, don't trust none of them’ - and she was right. She told me that when I was about 12 to prepare me.
Dappy: ‘Don't fear no man and use a condom.’
A version of this article appears in the new RWD Magazine www.rwdmag.com
Monday, 19 February 2007
Saturday, 17 February 2007
Live 23 Out Now!
If you're in south London you may have picked up the new LIVE already, if not keep your eyes peels with 20,000 copies being dropped in the area. Remember it's for young people, by young people.
In the new issue find out who the team are tipping for 2007, the reality of being a young, single, mum, what goes on in the mind of a high maintenance female, a first hand account of living life under a veil, plus meet three rising sports stars, check the new street style page, read interviews with L.Man, Chamillionaire, Jamie Woon, Essentials, an essential guide to bands, all the local news and much more!
And don't forget If you're aged 13-22 and want to contribute to LIVE Magazine as a writer, designer, poet, illustrator, photographer or want more info, then drop me a line chantelle@live-magazine.co.uk. Based in south London, the mag is done by young people for young people and published quarterly. With a new issue about to drop, it's perfect time to get involved and get your mugshot up in the pages. You'll be mentored in your chosen field by industry professionals who will try and help you achieve your personal and career goals.
Thanks to everyone who responded to this before, it's great to have met some of you down in Brixton.
*SPECIAL APPEAL*
Given the spate of shootings in south London involving young people, LIVE need your views, opinions and contributions more than ever. There's no simple soloution to what is going on, but what do you the young people think can be or should be done? Do you feel safe in your area? What are your experiences? Whether you just want to offer your two pence worth or have an essay to pen on the subject, please get in touch or leave a comment here.
You Know It's K-A!
Kano 'F**king Wid Da Team' freestyle
The original version can be found at www.myspace.com/kano679 along with the 'Write Bars Till The Milkman Comes' freestyle. Also check the pic of Kano from the forthcoming Def Jam Icons game.
The original version can be found at www.myspace.com/kano679 along with the 'Write Bars Till The Milkman Comes' freestyle. Also check the pic of Kano from the forthcoming Def Jam Icons game.
Friday, 16 February 2007
Safe + Sound
Taken from Safe + Sound, the new book produced by i-D.
Twenty two year old Ben Drew, more commonly referred to as Plan B, hails from Forest Gate, east London. His vivid accounts of inner-city living are brutal and sometimes feared yet consistantly reverred. Armed with an acoustic guitar, the rapper and sometimes singer, has drawn comparisons to the Arctic Monkeys, Johnny Cash and The Streets. But a listen to his debut album, Who Needs Actions When You Got Words, firmly places him in his own spot, talking on behalf of a jilted generation.
AN HONEST LIVING As told to Chantelle Fiddy...
"You don't have to go to college or University to do well in life, the University of Life is more important than any of that. My mate from Essex, people would think he had a better chance of doing well in life than me: he had money, he lived in a nice area with no crime, fewer drugs, good schools. His middle class neighbours would say he could do something proper. But then he came to London because his village was boring, he was like a nieve kid. I knew about drugs, I was wise, I'd experienced a lot. Drugs are everywhere but you can't blame drug addiction on other people. Some wankers have it around their kids and make them think it's ok. Then there's people who are just clueless. When you're in your 20's it's down to the individual. At 22, I couldn't talk a Manchester United fan into being an Arsenal fan could I? He learnt late on and now he's a smack head, injecting heroin in his vain's and I'm here doing what I'm doing. His mum used to look down on me and thought I was bad influence, if she had life experience she wouldn't have judged me, but she's had to go through her son becoming a heroin addict for her to realise she too had a lot to learn. The only way of avoiding the pitfalls of London are not coming at all, coming as a man or living it and learning. My kids would have to grow up in the city, they'd have to be streetwise and experience it. For me their grades wouldn't be as important, I just want them to go to school to learn how to read, write and speak properly. You just need motivation to succeed. When you see things happen you feel it. When I write my songs, it's a mixture of my own life and what I've seen in other peoples. I'm an artist so I'm going to always look at the world as an artist and someone who doesn't need a grade to make money or be happy in my work. The darkest time in my life was shit that went on at home and stuff that I talk about in my songs. One of the most personal tracks is 'Couldn't Get A Long' about a mate that died. I got through things in my life by accepting them and being honest with myself, everybody lies, I lie, but when things get to a certain point where it's really messed up, the best way is honesty. You've got to be honest with yourself, don't believe your own lies. People see honesty. When I was experimenting with drugs I didn't have to kick the habit because I didn't let it become a habit. You know they're not good. The first pill is wicked, the second time you have a bad come down and the third time to even get high you have to double drop. The more you take you're never going to get that initial high, you're just going to keep pumping your body with shit. Ecstasy is a cool experience but you have to be man enough to accept when the bad times outweigh the good, most people aren't that honest with themselves. I was man enough to say I don't think this is cool, I don't order a drink to look cool either. I was honest enough to accept that whenever I smoked weed or sniffed coke, it turned me into a paranoid and dishonest person. Weed may inspire you, but then you roll another joint in the morning and forget what you were going to do. Just be honest, it's having a negative effect. And all those great ideas, like so many things, they're just lost."
Safe+sound is a 272 page soft cover book produced by i-D.
Featuring contributions from many well known artists, photographers, fashion designers, stylists and writers including:
Alber Elbaz, Alex Prager, Alexander McQueen, Alexander Tucker, Alix Sharkey, Ann Demeulemeester, Antonio Berardi, Antonio Marras, Matthew Stone, Melanie Ward, Michel Momy, Naoki Takizawa, Neil Barrett, Neil Boorman, Neville Brody, Nick Knight, Paul Smith, Peter De Potter, Peter Saville, Philip Treacy, Phoebe Philo, Raf Simons, Richard Burbridge, Rirkrit Tiravanija, Ryan McGinley, Sam Taylor-Wood, Shannon Plumb, Shawn Mortensen, Sheryl Garratt, Simon Foxton, Sophia Kokosalaki, Stephan Schneider, Stephen Jones, Terry Jones, Thurston Moore, Tricia Jones, Vanina Sorrenti, Veronique Branquinho, Walter Van Beirendonck, Willy Vanderperre, Wing Shya, Yohji Yamamoto.
£12.50 UK, £14.50 EUROPE, £18.50 WORLD Prices include postage and packing. www.myspace.com/idmagazine for more info or www.amazon.co.uk to buy. If you are interested in stocking Safe+Sound in your store, please email karen.leong@i-dmagazine.co.uk
London Paper 12
Strip club for an eye-opener by Chantelle Fiddy. Thursday, February 15
In the wake of Valentine’s Day, whether you’re single or attached, you might be looking for a night out with a difference.
Forget swinging, S&M parties or an evening with Ann Summers. Since pole-dancing classes became a legitimate form of exercise there’s even more of an excuse now to visit a strip joint.
Celebrities such as Caprice, Emma Bunton and All Saints have been known to take in a show at Stringfellows, for example, one of the best known venues for nude dancing.
I’m not talking about over-pumped men smeared in enough cooking oil to fry an egg, either, the girls were there to admire the female form. You might call it a modern kind of feminism, you may find the whole idea absurd, but paying a woman to take her clothes off isn’t necessarily about cheap thrills or sexual gratification.
As well as being a fun night out and something you’ll get years of conversation out of, it’s also an eye-opener to the male psyche and our own inhibitions – or lack of them. Given that strippers have their fair share of wobbly bits, you may leave feeling a whole lot better about yourself.
“I find it empowering,” says Laura, who has been frequenting strip clubs for nearly five years. “I’ve come to respect the dancers. I’d never have the confidence to do it, but they’re not stupid and some of them are making good money. If they’re totally at ease with what they do to earn a living, why shouldn’t we support that?”
Laura’s tips for first-timers include going to one of the more upmarket venues in the West End – such as Sophisticats, The Windmill, Spearmint Rhino or, of course, Stringfellows.
“You get what you pay for and some of the smaller, local venues can be a bit seedy,” she says. You’ll also need lots of cash. “It’s embarrassing if you don’t have money to pay – most places will throw you out if you don’t put your hand in your pocket,” she adds.
But it’s not going to be for everyone. Whereas some people take great pleasure from nudity, others look like they’d feel more comfortable talking about their haemorrhoids, and find the whole thing about as sexy as Pat Butcher in bondage.
If you’ve got more chance of dragging your friends to a cemetery to drink cider this weekend, opt for the Anti-Valentine’s Day London Vampire Party at Penderels Oak cellar bar, High Holborn, on Saturday night. Rock and dance are supplied by Devilish Presley, DJ Cavey Nik and DJ Rockula. Garlic, black eye liner, lipstick and corsets are advised – but kitted out like that, don’t expect to be getting into a strip club at 1am. Goth and go-go? Stranger things have happened.
London Paper 11
On the scene by Chantelle Fiddy. Friday, February 09
When you think of Asbos, you tend to picture unruly youths joyriding, scaring old people or committing mindless acts of vandalism. What club 333 in Old Street has done to warrant its Asbo is still something of a mystery.
While the entertainment industry has been targeted for offences such as flyposting and organising illegal raves, one of the best Asbo stories I’d heard was regarding garage DJ Slimzee. Thanks to his illegal pirate-radio activity, he was banned from every rooftop in east London to prevent him putting up transmitter aerials. Quite how that was monitored is anyone’s guess. But last week an email arrived announcing that 333, which was shut down just before the Christmas rush, had indeed been slapped with an Asbo.
If whispers among local businesses are to be believed, this is down to a plague of violent incidents – including the fatal shooting at The Jam last year – that has struck the increasingly popular nightspots in Shoreditch. Apparently the local authorities (in this instance, Hackney Council) simply aren’t having it.
Unlike Monroe’s The All-Nighter Dance Club, in Lancashire, which was the first venue to receive a Closure of Premises Order under the Anti-Social Behaviour Act, 333 was able to reopen last weekend – albeit with a string of restrictions including no hoods, no hats and more strict searches.
Another kick in the gonads is that the promotions team Off-Centre has decided to throw in the towel in 333’s leaking bogs. Neil Boorman, who alongside Ross Clarke and Gerry Bull founded Revolver, Hoxton Apocalypse, Shoreditch Twat, 333 Saturdays and Neu-Noise, said: “After nearly ten years at the club, it wasn’t an easy decision to go, but there’s only so much that our crowd can be expected to put up with.”
Thankfully, Boorman and his team move to a new residency at 93 Feet East on 17 February. The first date, until 3am, features Belgian electro darlings The Glimmers, The Rakes, Dirty Pretty Things and the Infadels.
On a positive note, there haven’t been any reports of Asbos for stinky-pitted clubbers yet. If you head down to see Berlin duo the Sick Girls in Valentine Breeds Hate at 93 Feet East this Saturday, only wear red if you don’t mind serious sweat patches – because these ladies know how to work it. Roll on the weekend, and the deodorant.
London Paper 10
Music and Movement by Chantelle Fiddy. Thursday, January 25
At the tender age of 16, I was somewhat deluded in thinking that my raving gear – a bikini top, fluorescent yellow mesh workman’s jacket, baggy tracksuit bottoms and white gloves – was the height of nightlife fashion. According to my photo albums, jungle and drum and bass culture in the late Nineties has a lot to answer for.
Thankfully, the team behind Movement, which recently celebrated ten years of rinsing’n’rolling business, was among the promoters who broadened the D&B landscape. While many of us were still stuck out in the sticks, Movement added a touch of class to the scene by bringing it to Bar Rhumba in the heart of the West End.
Check your dusty tape pack collections and you can guarantee that every DJ worth his drinks vouchers has played a Movement night where roping in the premiership selectors such as Roni Size, Zinc, Goldie, Shy FX, Nicky Blackmarket (owner of Blackmarket Records in Soho) and Scratch Perverts is simply standard procedure. But Movement (www.movement.co.uk) is also renowned for opening up its doors to new talent in a scene that is widely regarded as a close-knit community.
The brand is now established worldwide following continual touring, six years at Homelands and three compilation CDs: Perpetual Drum and Bass Motion (described by now defunct magazine, Jockey Slut, as the best D&B compilation ever), The Brazilian Job and The Sound Of Movement.
Movement founder, the legendary DJ Bryan Gee, decided two years ago to pass the torch to his son, Jordan V, the editor of ATM Magazine and a DJ in his own right. The result is a more varied music policy and a lot to look forward to.
“We’re the longest running weekly in London and that isn’t by luck,” said Bryan. “People come from all over the world to experience the unique atmosphere and vibe we create. We’ve recently opened up the back of the club to hip hop, house, R&B, funk and ragga to offer an alternative to London’s partygoers. And although D&B might not be their type of music, the atmosphere is. Our sound system, promotions team, club security and management are geared to give partygoers the (Thursday) night of their life.”
If you don’t mind a lethargic Friday, head down to 36 Shaftesbury Avenue, WC1 on Thursday between 8pm-3am. With happy hour and free entry until 9pm or a mere £4 before 10pm (£6 NUS, £4 members after).
Monday, 12 February 2007
NY feat Purple - Fire
I'm not batting for the other team but I LOVE NY and I LOVE THIS SONG. Been on the system for about a year now which is saying ALOT. "Fire" by Ny featuring Purple, is the 1st release off Ny's forthcoming mixtape "Split Endz Volume Two"(although the original minus Purple features on Volume 1). Released in the UK in March on True Tiger Recordings.The video is currently on rotation on MTV Base.
I'm not batting for the other team but I LOVE NY and I LOVE THIS SONG. Been on the system for about a year now which is saying ALOT. "Fire" by Ny featuring Purple, is the 1st release off Ny's forthcoming mixtape "Split Endz Volume Two"(although the original minus Purple features on Volume 1). Released in the UK in March on True Tiger Recordings.The video is currently on rotation on MTV Base.
Wednesday, 7 February 2007
Monday, 22 January 2007
Wiley Retires... apparently
Yep, just what Big Dada wanted to hear. Wiley's rung RWD this morning to announce his retirement. Read over at www.rwdmag.com. Given Wiley's habitual change of plans, we'll have to hope he wakes up and gets out of bed the right side tomorrow. But whatever his decision, respect the father.
Sunday, 21 January 2007
On The Cassette Playa
The Gossip - Standing In The Way Of Control (available on itunes and getting re-released in Feb)
Shameless - My Dro (if you don't know about the Paddy Raggaman watch him this year, riding the JT 'My Love' beat this is essential)
Kano - Fuckin Wid Da Team freestyle (download his freestyle over Skepta's remix on www.myspace.com/kano679)
FWD Podcast (available via itunes)
Plan B - No Good (Chase & Status Remix over at www.myspace.com/time4planb. Blowing up in D&B world, out soon).
Plan B feat. JME & Skepta - Where Ya From Remix (b-side to 'No Good', out soon)
Pablo - Tell It How It Is (check the Bloodline myspace for details on their forthcoming mixtape)
George Galloway Podcast (I kid you not, agree or disagree, it's debate worth clocking)
Sadie Ama - Let Me Take You Away (the single 'Fallin', her take on the 'Wifey Riddim' goes up on itunes tomorrow)
Ron Hall - The Way You Love Me (Defected's Urban House compilation is reppin')
N Dubz - I Swear (still number one on Channel U after about 3 months... it's alot)
Jamie Woon - Wayfaring Stranger (Burial Remix, out on Live Recordings now)
ANYTHING by Kate Nash
LIVE Magazine
If you're aged 13-22 and want to contribute to LIVE Magazine as a writer, designer, poet, illustrator, photographer or want more info, then drop me a line chantelle@live-magazine.co.uk. Based in south London, the mag is done by young people for young people and published quarterly. With a new issue about to drop, it's perfect time to get involved and get your mugshot up in the pages. You'll be mentored in your chosen field by industry professionals who will try and help you achieve your personal and career goals.
Will i Am RWD
A version of this article is in the current issue of RWD Magazine
Words: Chantelle Fiddy
William James Adams Jr, better known as will.i.am, as one third of the Black Eyed Peas and a certified premiership producer, has worked with artists ranging from Sergio Mendes and Sting to Justin Timberlake, Kelis and Busta Rhymes. But with musical surgery to undergo with Michael Jackson, will the cool façade last?
Where are you right now?
I’m in Brazil, It’s one more show here then off to Argentina. I’m just going online in my hotel.
Everyone has to catch up on emails and myspace right?
Yeah I got a lot of catching up to do. I check the comments on the myspace and stuff. I look on youtube, after every concert we go on there to see who posts up phone clips first.
Do you give a prize?
No, they get arrested hahaha.
The main talking point right now has gotta be you working with Michael Jackson right?
Yeah I'm going back to him in December. He called me up and I thought someone was joking around. 'Hello it's Michael' and I was like 'Yeah right, stop playing?' Then he said 'I want to congratulate you on all your success, you're doing a powerful thing for the World with your music and staying true to what you believe in, I've been following you for a long time... do you mind if I call you in a couple of days at 4pm?’ Then he started ringing me everyday at 4pm. We were on tour with The Pussycat Dolls at the time so I started working on music for him on the bus.
Did you approach working with Michael Jackson differently compared to other artists?
Well It was more like how would I like Michael to sound now, what would I want him to do? When I finally sat down with him I was nervous. I couldn't be the way I would be like when I'm with Justin or NAS. I've idolised Michael my whole life. I had to be honest with him. I told him it was hard and he asked why? I explained I didn't grow up listening to Justin's music so it's easy to work with him, we're equals and when you're in the studio with someone you have to be equal, never above or below. When I worked with NAS I wasn't like 'Ok, here's the greatest lyricist', you have to put yourself on the same plain and make sure you compliment or better the stuff you love. I had to really get over it with Michael.
You do a great impression of him…
I can do James Brown too hahaha.
How was it on a personal level? Did you like him?
On a personal level it was cool, I spent the whole first day asking him questions like 'what was it like when you first did the moonwalk, how did it feel?’ It turned into a freakin’ interview; everything we're doing today is like branches from his tree. The seed came from Michael Jackson and James Brown. Michael told me for him, his influence was James Brown all the way. I was like 'damn, I worked with James Brown!' 'He said ‘You worked with James Brown, I always wanted to work with James Brown...' 'ok let's do it...' so those were the kind of things that gave me confidence to move forward.
Is there a lot of pressure on you now to deliver a big album?
We talked about what we wanted to accomplish, how you gonna compete with Thriller? I said ‘Michael, when you wake up in the morning how do you compete with yourself? I know how to compete with the market place but when you influence the market place in every way possible, from fan clubs to sponsorships to videos…’ 'Oh God bless you', 'No seriously, i'm not trying to compliment you Michael, I need to know this for when we get in the studio cause the music has to represent that…’ 'Oh I see what you're talking about.' Me and him had this deep conversation and started talking about the experience today; ringtones, the computer, itunes, movies, youtube, myspace...
Does he know about all that stuff?
Yes but this arena still needs to be defined, people are using it but they haven't defined what to do with this platform yet, we're not lifting weights, it isn't even a weight lifting game no more, so lets define what it is. We need to think about how music’s going to be experienced. Think about all the great songs that come out every week and their life span is like a week. You probably aren't playing stuff from eight weeks ago but people are still playing Billy Jean and Beat It.
Thing have changed a lot since you were with Eazy-E on Ruthless Records, when was the last time you saw him before he passed away?
It was about two weeks, early March, I spoke to Eazy when he was in hospital and he was like ‘see you soon’. For the last three years him and (his manager) Jerry Heller would take me to this place called Monty's for my birthday party. March 15th we went to Monty's and Jerry said to me ‘it’s not looking good’. Him and Jerry were still having their differences too. It was a shock, he’d been coughing a lot and had only gone to hospital for bronchitus.
Do you ever worry about what people will think of your music, like when you first came out with 'Where Is The Love', the hip hop community as a whole weren't that complimentary?
You can't be like 'I’m going to jump off this building' cause that's suicide. But if you say 'I'm gonna jump off this building and make sure the rope's tied and I'm gonna bounce back up', to someone who doesn't know about bungee jumping, they're gonna think that persons crazy, but when that person jumps and springs back up, then trends happen, people catch onto it. With Black Eyes Peas (BEP) everything we've done is thought out and planned, some BEP fans were like 'that's suicide, you're putting a white girl in your group, that's not hip hop.' What are you talking about, what is hip hop to you? People that make those comments I don't think their knowledge of hip hop goes that far.
So, have you ever made a record, gone back to it and wished you'd done something differently?
Yeah! A song called Request Line we did with Macy Gray. It was a cool record but not my favourite. I don't like the song we did with Wyclef 'Rap Song' and i don't like 'Hips Don't Lie' that much.
When was the last time you felt proud of yourself?
When I was on stage. It's been a long journey to get here, Eazy passing away, being homeless... but we stuck to our dreams and the community who gave us a hard time for what we did, are coming to you to produce their records. Journalists tried to feed us to the wolves, wrote us off, and those artists, those journalists are now applauding us. I'm proud of sticking to my guns.
Tuesday, 16 January 2007
Monday, 15 January 2007
London Paper 9
January 12th
London Paper Column
On The Scene
Words: Chantelle Fiddy
It might be raining outside but January is usually considered the driest month in the clubbing calendar. That all looks set to change though. Regardless of the weather this weekend, get your sales bargains on and your umbrella out. One of the most exciting new nights London has seen for years, launches this Saturday at Scala, Kings Cross.
Chalk, the brainchild of promoter Andy Peyton and Caius Tawson (better known as Young Turks, an A&R for XL Recordings, DJ, club promoter the rest), are set to resurrect Saturday nights. Showcasing the best new bands and giving a leg-up to the superstar DJ’s of tomorrow, they’re going to be the place to really find out what’s hot. And forget one headliner. Chalks first line-up alone boasts live sets from the Mystery Jets (679 Recordings), Jack Penate (who’s set to make quite an impact this year as one of XL’s latest signings), Cajun Dance Party and The Bishops. On the DJ front you’ve got Hot Chip (EMI), Nadia Ksaiba, Matthew !Wowow!, The Whore Moans, The Lovely Jonjo and a whole lot more spread out over the three rooms. With tickets only £8.50 in advance, your best friend tonight might just be www.ticketweb.co.uk.
At only 20 years old, Tawson’s youth is also giving Chalk much of it’s cutting-edge, cool appeal. “We want to showcase the best in live music, any genre, any act and put the spotlight back on DJs. In the future we’ll incorporate acoustic stuff as well…” he explains. “To me Errol Alkan is the most important DJ in London and he’s been doing what he’s doing and is still relevant 10 years after he started Trash. If we can still be relevant after 10 years – or even 10 weeks, I’ll be happy.”
Seb of DJ duo Tapedeck, booked for Chalk on the 27th January, agrees this night could boost a number of DJs on the rise. “Everyone’s excited because they’re offering something new, not what’s tried and tested. And the nu-wave of DJ’s trying to make moves, like us and Skull Juice, they’re giving us a spotlight alongside people like Switch who would play the main room of Fabric. There’s a definite hunger for this.”
Elsewhere, the pundits have equally high expectations for clubbing in 2007. Ralph Moore, Senior Music Editor at leading dance magazine Mixmag expects the rave/ rock axis to spin harder and faster than ever before. “With NYC’s LCD Soundsystem returning with their stellar 2nd album, a slew of young, disco-loving rock-ravers will follow in their wake. Other names to look out for include Joakim, Nightmoves, Van She, New Young Pony Club, Digitalism, The Black Ghosts, Crystal Castles and French upstarts Justice, whose new single ‘D.A.N.C.E’ and b-side ‘Phantom’ (currently blowing up clubs) are dafter than Thomas Bangalter’s tight leather gloves. Glowsticks, however, are going to be entirely optional.”
Now If only clubs would bring back the free whistles.
London Paper 8
15th December
London Paper Column
On The Scene
Words: Chantelle Fiddy
Call me old fashioned, but I won’t be raving it up on Christmas Eve or Christmas day unless my entire family tree – Grandad with oxygen mask included – are on the guest list. Without the worry of which promoters in London boast a remedy for entire families suffering from excess turkey consumption, my thoughts are with a lot of you this week who are finishing (or starting) Christmas shopping, and planning on how to see in 2007. Well think of me like the best friend you’ve never had. Instead of ruining your fun and getting held up in the Oxford Street scrum, why not buy all your presents when you go clubbing? I kid you not. A growing trend in Christmas club land this year, it seems, is offering punters the one stop club shop. Quench your spending thirst on Saturday at Everything Must Go (previously called POP), on Soho Street. Stalls will offer music, toys, artwork, photography, clothes and much more from the likes of Rough Trade, Susie Lloyd, Aquarium, Hooky Gear, One True Saxon, Bama Lama and Mosterism. If you forget your good intentions and end up donating most of your pounds to the mulled wine fund, fear not. Sunday will see A Christmas Fete Worse Than Death & Oxfam Christmas Fair takeover Brick Lane’s 93 Feet East. From 3pm in the main room Ebony Bones, Miss Odd Kid, LJ Kruzer’s Electronic Carols and Le Cocteau Jeaune’s Burlesque Nativity celebrate all things festive. Elsewhere in the Bar, the Christmas Fair will be in full swing raising money for Oxfam. While listening to the sounds of Battle DJs, Bigggpaul, Jay B, Helen Noir and James Bradley on decks, you can buy records, books and all manner of donated items.
Now, If you’re reading this thinking ‘look at the face, bovvered?’ cause you finished your shopping like in September, then you might as well pat yourself on the back (pocket) tonight and fuck off to Fabric Live. Blow your wages getting wasted with Dizzee Rascal, Newham Generals, Joe Ransom and Scratch Perverts. If you’re looking to shed a few pounds before your roasted bird lands, opt for the back room where Krust, DJ Die, Simon Bassline Smith and many more will have the D&B massive cooking up a serious sweat. More in keeping with the Christmas spirit, the Bistrotheque Drag Christmas Panto is also taking place tonight in Wadeson St, east London, starring Jonny Woo, Spanky, Richardette, Ryan Styles, Xtina (no relation to Christina Aguilera), and Lisa (not Scott) Lee.
As for New Years Eve, there’s already been some interesting invitations come through the door, including Roller Disco’s fancy dress party in Vauxhall, Madam Showtimes Masked Ball at Egg, Moondance at SeOne and The Bond Ball at the Kensington Close Hotel & Spa. Bigger isn’t always better so I’m putting my money with a smaller, local joint, namely the Legion in Old Street where the trusty Crackin Skullz duo are going to do their parents proud mixing up a selection of beats and bars. With tickets at only £10 a piece they also make for suitably cost-effective stocking fillers.
London Paper Column
On The Scene
Words: Chantelle Fiddy
Call me old fashioned, but I won’t be raving it up on Christmas Eve or Christmas day unless my entire family tree – Grandad with oxygen mask included – are on the guest list. Without the worry of which promoters in London boast a remedy for entire families suffering from excess turkey consumption, my thoughts are with a lot of you this week who are finishing (or starting) Christmas shopping, and planning on how to see in 2007. Well think of me like the best friend you’ve never had. Instead of ruining your fun and getting held up in the Oxford Street scrum, why not buy all your presents when you go clubbing? I kid you not. A growing trend in Christmas club land this year, it seems, is offering punters the one stop club shop. Quench your spending thirst on Saturday at Everything Must Go (previously called POP), on Soho Street. Stalls will offer music, toys, artwork, photography, clothes and much more from the likes of Rough Trade, Susie Lloyd, Aquarium, Hooky Gear, One True Saxon, Bama Lama and Mosterism. If you forget your good intentions and end up donating most of your pounds to the mulled wine fund, fear not. Sunday will see A Christmas Fete Worse Than Death & Oxfam Christmas Fair takeover Brick Lane’s 93 Feet East. From 3pm in the main room Ebony Bones, Miss Odd Kid, LJ Kruzer’s Electronic Carols and Le Cocteau Jeaune’s Burlesque Nativity celebrate all things festive. Elsewhere in the Bar, the Christmas Fair will be in full swing raising money for Oxfam. While listening to the sounds of Battle DJs, Bigggpaul, Jay B, Helen Noir and James Bradley on decks, you can buy records, books and all manner of donated items.
Now, If you’re reading this thinking ‘look at the face, bovvered?’ cause you finished your shopping like in September, then you might as well pat yourself on the back (pocket) tonight and fuck off to Fabric Live. Blow your wages getting wasted with Dizzee Rascal, Newham Generals, Joe Ransom and Scratch Perverts. If you’re looking to shed a few pounds before your roasted bird lands, opt for the back room where Krust, DJ Die, Simon Bassline Smith and many more will have the D&B massive cooking up a serious sweat. More in keeping with the Christmas spirit, the Bistrotheque Drag Christmas Panto is also taking place tonight in Wadeson St, east London, starring Jonny Woo, Spanky, Richardette, Ryan Styles, Xtina (no relation to Christina Aguilera), and Lisa (not Scott) Lee.
As for New Years Eve, there’s already been some interesting invitations come through the door, including Roller Disco’s fancy dress party in Vauxhall, Madam Showtimes Masked Ball at Egg, Moondance at SeOne and The Bond Ball at the Kensington Close Hotel & Spa. Bigger isn’t always better so I’m putting my money with a smaller, local joint, namely the Legion in Old Street where the trusty Crackin Skullz duo are going to do their parents proud mixing up a selection of beats and bars. With tickets at only £10 a piece they also make for suitably cost-effective stocking fillers.
London Paper 7
1st December 2006
London Paper Column
On The Scene
Words: Chantelle Fiddy
In the same way that the tenth shot of vodka seems to creep up on you and leave your legs lacking in co-ordination, Christmas has well and truly bestowed itself upon us again. And while that friggin’ goose is still getting fat, our pockets are getting thinner thanks to festive demands, parties and impromptu rounds of drinks. But putting your wallet on a stricter diet doesn’t mean you have to compromise on quality clubbing control. Despite living in one of Europe’s most expensive cities, if you know where to go, there’s plenty of freeness on offer without trying to blag guestlist or having to rush the door.
Fast becoming acknowledged as one of London’s best new venues, The Big Chill House, (part of the ever expanding Big Chill empire), located in the heart of Kings Cross, boasts three floors of music, a moonlit balcony, a balconied dining room and cosy nooks and crannies for those armed with mistletoe. If that’s not tempting enough, you can book a table or secure your spot in area’s such as The Love Inn, Finlandia Cabin, Naxos Nook, Enchanted Bar or Lulworth Lounge by ringing 0207 427 2541. If you can fix up your face in time and be inside by 11pm tonight, then you’ll have gained free entry into the Balearic electronic disco. The same applies to Pretzel Logic tomorrow, a night dedicated to really smooth music from the likes of Steely Dan, Fleetwood Mac and Hall & Oates. Electro-crooner Grosvenor, who’s recently supported current hotness Hot Chip on tour, will play live while upstairs there’s dirty funk and rock ‘n’ roll.
The brains behind the successful Anti-Social night at Shoreditch’s Bar Music Hall, Ya Mum Ya Dad, present Blok Party at Candy Bar, Carlisle Street on Monday. Drinks are £2 and you can request the house, techno and electro selection you want to hear, heck, they even say “it’s a playground or foul-mouthed teenagers, with bad make-up, to binge drink on a school night.” What more do you want - and don’t say an extension on your report, although after a night here you’ll probably need it.
Fancy trying something a bit more alternative? Dress up and dance for Hula Boogie at South London Pacific, a tiki lounge and cocktail bar on Kennington Road where you can polish up your jive moves at their Dec 12th soiree which promises stompin’ music from the 1930’s and 1950’s, thanks to DJ’s Miss Aloha and Reverend Boogie. As it’s Brother Aloha’s Big Birthday Bash, there’s also going to be burlesque, cakes and other goodies thrown into the mix – all for zilch. Nothing. Capiche?
If you believe that you get what you pay for, there’s plenty on this week for a limited budget, one highlight being Dirty Canvas at the ICA who are hosting Skitz Beatz album launch this Saturday with performances from President T, Ruff Sqwad, JME, Jammer and many more. With entry a mere £6 and plenty of night buses near the venue, the only concern might be whether that bottle of under the counter, throat stripping Turkish vodka will fit in your handbag.
London Paper Column
On The Scene
Words: Chantelle Fiddy
In the same way that the tenth shot of vodka seems to creep up on you and leave your legs lacking in co-ordination, Christmas has well and truly bestowed itself upon us again. And while that friggin’ goose is still getting fat, our pockets are getting thinner thanks to festive demands, parties and impromptu rounds of drinks. But putting your wallet on a stricter diet doesn’t mean you have to compromise on quality clubbing control. Despite living in one of Europe’s most expensive cities, if you know where to go, there’s plenty of freeness on offer without trying to blag guestlist or having to rush the door.
Fast becoming acknowledged as one of London’s best new venues, The Big Chill House, (part of the ever expanding Big Chill empire), located in the heart of Kings Cross, boasts three floors of music, a moonlit balcony, a balconied dining room and cosy nooks and crannies for those armed with mistletoe. If that’s not tempting enough, you can book a table or secure your spot in area’s such as The Love Inn, Finlandia Cabin, Naxos Nook, Enchanted Bar or Lulworth Lounge by ringing 0207 427 2541. If you can fix up your face in time and be inside by 11pm tonight, then you’ll have gained free entry into the Balearic electronic disco. The same applies to Pretzel Logic tomorrow, a night dedicated to really smooth music from the likes of Steely Dan, Fleetwood Mac and Hall & Oates. Electro-crooner Grosvenor, who’s recently supported current hotness Hot Chip on tour, will play live while upstairs there’s dirty funk and rock ‘n’ roll.
The brains behind the successful Anti-Social night at Shoreditch’s Bar Music Hall, Ya Mum Ya Dad, present Blok Party at Candy Bar, Carlisle Street on Monday. Drinks are £2 and you can request the house, techno and electro selection you want to hear, heck, they even say “it’s a playground or foul-mouthed teenagers, with bad make-up, to binge drink on a school night.” What more do you want - and don’t say an extension on your report, although after a night here you’ll probably need it.
Fancy trying something a bit more alternative? Dress up and dance for Hula Boogie at South London Pacific, a tiki lounge and cocktail bar on Kennington Road where you can polish up your jive moves at their Dec 12th soiree which promises stompin’ music from the 1930’s and 1950’s, thanks to DJ’s Miss Aloha and Reverend Boogie. As it’s Brother Aloha’s Big Birthday Bash, there’s also going to be burlesque, cakes and other goodies thrown into the mix – all for zilch. Nothing. Capiche?
If you believe that you get what you pay for, there’s plenty on this week for a limited budget, one highlight being Dirty Canvas at the ICA who are hosting Skitz Beatz album launch this Saturday with performances from President T, Ruff Sqwad, JME, Jammer and many more. With entry a mere £6 and plenty of night buses near the venue, the only concern might be whether that bottle of under the counter, throat stripping Turkish vodka will fit in your handbag.
Sunday, 7 January 2007
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