A big shout out to our crew at Rhythm Division for this one. Possibly the longest music DVD, ever, climaxing after about four hours of unadulterated interviews, rave footage, radio sets, freestyles, music videos and more. Among those featured are Ruff Squad, NASTY, Roll Deep, East Co, J2K, Essentials, Bruza, D Double E and many more. We caught up with Sparky, one half of the DVD team, to find out more…
“You can expect a lot of fun with Risky Roadz, it’s a look at the scene but when I watched a lot of DVD’s they made it look very serious and I wanted to capture what people are really like, their silly moments. There’s a lot of people I knew from before – like NASTY, half of them I grew up with at school, so no one’s putting on acts. And it’s nearly four hours long (it was seven but we cut it), it took us ages to edit it but we had so much footage and we didn’t want to waste it. We’ve got so many people on there - every big MC, every big rave, Young Man Standing, Beats 2 Battle, we have tried to incorporate everything, even people over at the park hanging out. My highlight would be seeing the energy and people that are keen, it really shows. There’s a few people who weren’t really interested when we started it and couldn’t be bothered to meet up but watch what happens ha ha. This is the first of many, we’re even talking about a Risky Roadz deleted scenes ideas…we’ve already started working on part two so keep your eyes open this year.”
You heard it here first. Pick up Risky Roadz online at www.rhythmdivision.co.uk or from all good independent record shops. RRP: £16.99 and worth every penny.
Tuesday, 21 December 2004
Sunday, 19 December 2004
Festive Pow
The Forward Riddim is out on Monday but in the name of all things Christmas, check out http://www.leerees.co.uk/callingboyz.mp3 for a carol style rendition. If you fancy something less light hearted log onto http://www.bbc.co.uk/radio1 and listen back to Tim Westwoods Saturday night show. An hour or so in you'll be delighted to find the Pow showcase. I think it's fair to say calling out Wiley, Trim, Riko and Godsgift on air was a rather stupid move - one would take it, given his bars and lack of sense, that Lethal's currently unaware Riko will be back very soon. Murkage? You bet. Change of pants? Maybe.
Farewell '04
I recently appealed for people to come forth with charts and here are some of the best replies (but where are my ladies at?):
Martin Clark, Journalist, London, England. “2004 was the year when grime snuck up to the lazy, sterile mainstream, jacked its phone and left it stunned on the floor wondering what in Eski's name hit it."
1. Target & Riko "Chosen One" (Aim High)
2. Digital Mystikz "Give Jah Glory" (Tempa)
3. Kode 9 ft Daddi Gee "Sign of the Dub" (Hyperdub)
4. Roll Deep (Danny Weed production) "Let It Out" (679)
5. Terror Danjah ft. Trim, Wiley, Riko, D Double E and Footsie "Bogeyman" (Roll Deep recordings)
Jacob, fan, Singapore. “I’m probably the most remote grime fan you’re going to get contact from so I thought it might be worth sending my end of year top 5...”
1. Terror Danjah ft. Trim, Wiley, Riko, D Double E and Footsie "Bogeyman" (Roll Deep recordings)
2. Lethal B – Pow (Lethal Bizzle/Relentless)
3. Ruff Squad – Raw2TheCore (White)
4. Gemma Fox & 2Face – Gone (P)
5. Essentials – Jenny (DaVinChe Mix) (Paperchase Recordings)
Derek Walmsley, writer, location unknown.
“With record sales been low and there being very few compilations on the high street, underground DVD packs are essential viewing…”
1. Roll Deep – Shake A Leg (dubplate)
2. B Live – Merkers (dubplate)
3. Terror Danjah ft. Trim, Wiley, Riko, D Double E and Footsie "Bogeyman" (Roll Deep recordings)
4. Shystie – Woman’s World (P Jam Remix) (P)
5. Essentials – K Dot (Paperchase)
Jeff, fan, Seattle, USA.
“…haven’t been this excited about music since the early 90’s shoegaze movement! I’m stuck in Seattle and access to anything beside The Streets and Dizzee isn’t available much. My son always dances and claps to the smooth sound of DaVinChe and Kano ‘Leave Me Alone.’ My current fave would have to be Wiley and Kano ‘Special Girl’ (we’re a little behind here), anything involving Kano is brilliant, hope an album comes soon…”
Thank you to all the underground supporters and readers inna this – whichever part of the globe they’re from. It’s nice to know we’re reaching far and wide. It’s a beautiful movement to be involved in and 2005 looks set to be even brighter and star filled than the last.
Martin Clark, Journalist, London, England. “2004 was the year when grime snuck up to the lazy, sterile mainstream, jacked its phone and left it stunned on the floor wondering what in Eski's name hit it."
1. Target & Riko "Chosen One" (Aim High)
2. Digital Mystikz "Give Jah Glory" (Tempa)
3. Kode 9 ft Daddi Gee "Sign of the Dub" (Hyperdub)
4. Roll Deep (Danny Weed production) "Let It Out" (679)
5. Terror Danjah ft. Trim, Wiley, Riko, D Double E and Footsie "Bogeyman" (Roll Deep recordings)
Jacob, fan, Singapore. “I’m probably the most remote grime fan you’re going to get contact from so I thought it might be worth sending my end of year top 5...”
1. Terror Danjah ft. Trim, Wiley, Riko, D Double E and Footsie "Bogeyman" (Roll Deep recordings)
2. Lethal B – Pow (Lethal Bizzle/Relentless)
3. Ruff Squad – Raw2TheCore (White)
4. Gemma Fox & 2Face – Gone (P)
5. Essentials – Jenny (DaVinChe Mix) (Paperchase Recordings)
Derek Walmsley, writer, location unknown.
“With record sales been low and there being very few compilations on the high street, underground DVD packs are essential viewing…”
1. Roll Deep – Shake A Leg (dubplate)
2. B Live – Merkers (dubplate)
3. Terror Danjah ft. Trim, Wiley, Riko, D Double E and Footsie "Bogeyman" (Roll Deep recordings)
4. Shystie – Woman’s World (P Jam Remix) (P)
5. Essentials – K Dot (Paperchase)
Jeff, fan, Seattle, USA.
“…haven’t been this excited about music since the early 90’s shoegaze movement! I’m stuck in Seattle and access to anything beside The Streets and Dizzee isn’t available much. My son always dances and claps to the smooth sound of DaVinChe and Kano ‘Leave Me Alone.’ My current fave would have to be Wiley and Kano ‘Special Girl’ (we’re a little behind here), anything involving Kano is brilliant, hope an album comes soon…”
Thank you to all the underground supporters and readers inna this – whichever part of the globe they’re from. It’s nice to know we’re reaching far and wide. It’s a beautiful movement to be involved in and 2005 looks set to be even brighter and star filled than the last.
Saturday, 18 December 2004
Vital Crewtistics
From the MOBO Magazine archive:
Many people thought that 2001 and the success of the award winning So Solid Crew was a passing phase. How wrong can you be? In musical chronicles 2002 will go down as the year of the crew and it’s days are far from numbered… MOBO takes charge and weighs up the crew appeal.
SO SOLID (Independiente)
How many members? Debatable, changes with the seasons/afro height and depends on how many newbies they recruit from the continent. More famed members include Mega ‘never without an afro comb’ Man, Romeo (um mine), Harvey (Mr Alesha Mis-teeq), Asher ‘banged up’ D, Oxide and ‘b-b-b bound for the reload’ Neutrino.
Most likely to say: We got so many haterz blud, messy blud, say how we gonna split this doe’ between all 967 of us blud?
Famous lyrics: Two multiplied by ten plus one, Romeo dunn!, I got 21 seconds t-t-t!
Interesting facts: Their debut album They Don’t Know went double platinum in two-and-a-half weeks, two members of So Solid are Cypriot recruits, Harvey was nearly a big league footballer, they’ve collaborated with Beenie Man on his new album, producer Mr Shabz, is the brother of one of The Reelists.
Chart successes to date: 21 Seconds, Ride Wit Us, Haterz, They Don’t Know.
Biggest selling single: 400,000 (21 Seconds)
Highest chart position: No. 1 (21 Seconds)
Most likely to pull: Most would argue Romeo (Harvey’s attached), but then who would turn down double trouble with the Twinz?
2002 Achievements: Friday night show on Kiss 100 FM, only one member got sent down, no one was cautioned for smoking cannabis, So Solid on the acclaimed Jools Holland show, they weren’t dropped after a year like most UK artists, their no-trouble appearance at Oxide and Neutrino’s MTV 5 Night Stand gig raising the question why are So Solid tours still banned?
Best quotes of 2002: “I got a lot of groupies but I just deal with it. I hear I got a lot of mums are into me too” (Romeo keeps it real), “my dreams are déjà vu blud, all of ‘em, everything we’ve done here has been predicted y’ get me” (Mega getting spiritual), “I’d love to get Moe on a track, he’s so underrated”, (Harvey quashes the rumours of any beef with Heartless Crew).
MORE FIRE CREW (Go Beat)
How many members? Only three, Ozzie B, Lethal B, Neeko, (sticking a tongue out to any one who thinks to be in a crew you need a Saddam style army).
Most likely to say: Oi! Who’s that More Fire Crew? Oi! Oi! Oi! Oi!
Best lyrics: Um… Oi! Who’s that More Fire Crew?
Interesting facts: They’re all under 21, So Solid have made a tune cussing More Fire (why? Who knows), Ozzie is the supposed cousin of Dizzee Rascal from The Roll Deep Crew, they’re all from Walthamstow, they met and learnt their trade at a community workshop,
Chart successes to date: Oi! Who’s that More Fire Crew?
Biggest selling single: 80,000 (Oi!)
Highest chart position: 8
Most likely to pull: Ozzie B because he knows the Sugababes who are bound to have lots of crew member-hungry friends. Also looks like he’s cute enough to introduce to your mother (rewind - my mother has just choked).
2002 Achievements: Did an advert for the government reworking vocals of Oi! to encourage people to vote, all got Avirex jackets, took the streets to Top Of The Pops, showed all those East London promoters that they were indeed worth more than £50.
Best quotes of 2002: “When this guy said nah you aren’t worth £50, we were in the studio and boy we were thinking about rhydims and decided to make a tune about it” (Lethal on the mindblowing inspiration for Oi!), “I don’t really like garage. You see our music is bashment not really garage. Just new flava’s” (Lethal sets the record straight cough cough), “would I do a duet with Britney? Yeh. I will do one with anyone,” (Neeko having a daydream), “We’re from the ghetto man but it doesn’t mean we are trouble.
Find something constructive to do - there need to be more facilities in the community” (Ozzie B gives the authorities a wake up call) “We aren’t down with free advertising. If you want me to wear Prada it’s cool but I’m keeping it” (Neeko – you tell them boy!).
THE HEARTLESS CREW (EastWest)
How many members? Three. Mighty Moe, Bushkin and Fonti. (A trend in small numbers is developing it seems fellow crew watchers!)
Most likely to say: Our hearts in a de music, it’s a crisp biscuit, yagga yagga yo.
Famous Lyrics: Hearttttt-lessssss we got it going on, original hype, we got the vibe ya’ll!
Interesting facts: Warmed up for D-12 and Eminem in Miami, Heartless are best described as a sound system as they play music from all genres (including Kylie classics), they all DJ, MC, produce, Moe is Arabic and a talented artist, Fonti, the main DJ, is grade 6 at guitar and was a barber during his school lunch breaks but wanted to be a Maths teacher, Bushkin used to be a Legal Clerk, Heartless Crew have a joint bank account and have shared ownership of a Space Cruiser.
Chart successes to date: Heartless Theme, The Crisp Biscuit Mix compilation.
Biggest selling single: 47,000 (Heartless Theme)
Highest chart position: 21
Most likely to pull: Well they’re always together so a hit for one is a hit for all.
2002 achievements: Signed to 1Xtra’s digital radio station, a rather nice album deal (rumoured at near half a million squidders!),
Best quotes of 2002: “The rules with us are simple. Manners, being courteous and having respect come above everything else” (Moe explains why they’re perfect husband material), “Anytime you put on music you can be rocking, which is why we say our hearts are in the music” (Fonti on the Heartless philosophy), “Have you seen Planet Of The Apes? Mad Max? Demolition Man? That’s what we’re moving towards. We are always looking to be together, with our wives and kids, We want a castle…it could be a commune I suppose” (Bushkin on the Heartless empire).
Many people thought that 2001 and the success of the award winning So Solid Crew was a passing phase. How wrong can you be? In musical chronicles 2002 will go down as the year of the crew and it’s days are far from numbered… MOBO takes charge and weighs up the crew appeal.
SO SOLID (Independiente)
How many members? Debatable, changes with the seasons/afro height and depends on how many newbies they recruit from the continent. More famed members include Mega ‘never without an afro comb’ Man, Romeo (um mine), Harvey (Mr Alesha Mis-teeq), Asher ‘banged up’ D, Oxide and ‘b-b-b bound for the reload’ Neutrino.
Most likely to say: We got so many haterz blud, messy blud, say how we gonna split this doe’ between all 967 of us blud?
Famous lyrics: Two multiplied by ten plus one, Romeo dunn!, I got 21 seconds t-t-t!
Interesting facts: Their debut album They Don’t Know went double platinum in two-and-a-half weeks, two members of So Solid are Cypriot recruits, Harvey was nearly a big league footballer, they’ve collaborated with Beenie Man on his new album, producer Mr Shabz, is the brother of one of The Reelists.
Chart successes to date: 21 Seconds, Ride Wit Us, Haterz, They Don’t Know.
Biggest selling single: 400,000 (21 Seconds)
Highest chart position: No. 1 (21 Seconds)
Most likely to pull: Most would argue Romeo (Harvey’s attached), but then who would turn down double trouble with the Twinz?
2002 Achievements: Friday night show on Kiss 100 FM, only one member got sent down, no one was cautioned for smoking cannabis, So Solid on the acclaimed Jools Holland show, they weren’t dropped after a year like most UK artists, their no-trouble appearance at Oxide and Neutrino’s MTV 5 Night Stand gig raising the question why are So Solid tours still banned?
Best quotes of 2002: “I got a lot of groupies but I just deal with it. I hear I got a lot of mums are into me too” (Romeo keeps it real), “my dreams are déjà vu blud, all of ‘em, everything we’ve done here has been predicted y’ get me” (Mega getting spiritual), “I’d love to get Moe on a track, he’s so underrated”, (Harvey quashes the rumours of any beef with Heartless Crew).
MORE FIRE CREW (Go Beat)
How many members? Only three, Ozzie B, Lethal B, Neeko, (sticking a tongue out to any one who thinks to be in a crew you need a Saddam style army).
Most likely to say: Oi! Who’s that More Fire Crew? Oi! Oi! Oi! Oi!
Best lyrics: Um… Oi! Who’s that More Fire Crew?
Interesting facts: They’re all under 21, So Solid have made a tune cussing More Fire (why? Who knows), Ozzie is the supposed cousin of Dizzee Rascal from The Roll Deep Crew, they’re all from Walthamstow, they met and learnt their trade at a community workshop,
Chart successes to date: Oi! Who’s that More Fire Crew?
Biggest selling single: 80,000 (Oi!)
Highest chart position: 8
Most likely to pull: Ozzie B because he knows the Sugababes who are bound to have lots of crew member-hungry friends. Also looks like he’s cute enough to introduce to your mother (rewind - my mother has just choked).
2002 Achievements: Did an advert for the government reworking vocals of Oi! to encourage people to vote, all got Avirex jackets, took the streets to Top Of The Pops, showed all those East London promoters that they were indeed worth more than £50.
Best quotes of 2002: “When this guy said nah you aren’t worth £50, we were in the studio and boy we were thinking about rhydims and decided to make a tune about it” (Lethal on the mindblowing inspiration for Oi!), “I don’t really like garage. You see our music is bashment not really garage. Just new flava’s” (Lethal sets the record straight cough cough), “would I do a duet with Britney? Yeh. I will do one with anyone,” (Neeko having a daydream), “We’re from the ghetto man but it doesn’t mean we are trouble.
Find something constructive to do - there need to be more facilities in the community” (Ozzie B gives the authorities a wake up call) “We aren’t down with free advertising. If you want me to wear Prada it’s cool but I’m keeping it” (Neeko – you tell them boy!).
THE HEARTLESS CREW (EastWest)
How many members? Three. Mighty Moe, Bushkin and Fonti. (A trend in small numbers is developing it seems fellow crew watchers!)
Most likely to say: Our hearts in a de music, it’s a crisp biscuit, yagga yagga yo.
Famous Lyrics: Hearttttt-lessssss we got it going on, original hype, we got the vibe ya’ll!
Interesting facts: Warmed up for D-12 and Eminem in Miami, Heartless are best described as a sound system as they play music from all genres (including Kylie classics), they all DJ, MC, produce, Moe is Arabic and a talented artist, Fonti, the main DJ, is grade 6 at guitar and was a barber during his school lunch breaks but wanted to be a Maths teacher, Bushkin used to be a Legal Clerk, Heartless Crew have a joint bank account and have shared ownership of a Space Cruiser.
Chart successes to date: Heartless Theme, The Crisp Biscuit Mix compilation.
Biggest selling single: 47,000 (Heartless Theme)
Highest chart position: 21
Most likely to pull: Well they’re always together so a hit for one is a hit for all.
2002 achievements: Signed to 1Xtra’s digital radio station, a rather nice album deal (rumoured at near half a million squidders!),
Best quotes of 2002: “The rules with us are simple. Manners, being courteous and having respect come above everything else” (Moe explains why they’re perfect husband material), “Anytime you put on music you can be rocking, which is why we say our hearts are in the music” (Fonti on the Heartless philosophy), “Have you seen Planet Of The Apes? Mad Max? Demolition Man? That’s what we’re moving towards. We are always looking to be together, with our wives and kids, We want a castle…it could be a commune I suppose” (Bushkin on the Heartless empire).
Tuesday, 14 December 2004
DJ Tubby - Old
Here's one from the 2003 archive...
DJ Tubby
Slush
Braindead
*****
Formerly famed for his cutting house activities Tubby is now making more of a mark as a producer and DJ. Previous releases have been noted but Slush mashes his past offerings into the vinyl crematorium. For those not turned on by past releases like Whatever, don’t push Slush to the side. Cue it up and head for the volume button instead because this is not what you might class a traditional Tubby sound. It’s Braindead productions like Slush that are surely providing the solid proof that Tubby and sometimes partner in crime, Footsie, are names that will be climbing the underground hierarchy in the 2004. Slush, which features on the recent Smoove compilation, Street Beats, has naturally been battered by big boss man Slimzee over the last six months and on release at Christmas, a set without this will be like your old dear serving you Turkey without the gravy. Sort it out love.
Q&A
How long have you been producing for?
About two years now. I’ve had some bits out on the down low and Whatever, that was quite big. I did a Lil Kim booty a few years back In the Planet Phat days but I never put my name to that either. Slush is the biggest thing I’ve done myself so hopefully this tune will get the label out there.
What happened didn’t you own Planet Phat?
I did own it in the end but it wasn’t working out, It was costing too much. I had to quit so now I’m concentrating on the producing. I DJ out too but I’m one of those people who prefers to be in the background.
Was there an idea or plan behind Slush?
Not really, I was just in the studio with a Slush Puppy, Cherry flavour I think it was so I called it Slush. I am going to revive Slush Puppy’s, I’ve decided, I should be sponsored by them - a different flavour for different inspiration. I guess I am a bit cold like a Slush Puppy still haha.
Why do you think Slush is blowing up more than anything else you’ve done?
Because I let people cut it, I don’t normally give stuff out but Slimzee has battered it since I made it eight months ago and he put it on the Smoove Street Beats compilation. Karnage and that have all cut it now, for Karnage to cut it was a big thing cause I didn’t think it would be his kind of thing.
Who or what is Braindead?
That’s mine and Footsie’s label. Me and Footsie work together but we have our own studio’s so there’s a lot of solo stuff. We called it Braindead because that’s what we are…it’s got something to do with the amount we smoke. Sometimes people get a bit fresh, have a couple of pulls, five minutes later they’re in a corner. I’m 25 and I’ve been smoking since I was 10 or 11 so I just control it now.
What have you got coming up?
War Wid with Footsie and D Double E, Pass The Test and Scars, all on Braindead. Is it time to roll another one yet?
Words: Chantelle Fiddy
DJ Tubby Rinse 100.3FM Sunday nights 7-9pm. For more info on DJ Tubby contact Live Agents
A version of this article appeared in Deuce Magazine
DJ Tubby
Slush
Braindead
*****
Formerly famed for his cutting house activities Tubby is now making more of a mark as a producer and DJ. Previous releases have been noted but Slush mashes his past offerings into the vinyl crematorium. For those not turned on by past releases like Whatever, don’t push Slush to the side. Cue it up and head for the volume button instead because this is not what you might class a traditional Tubby sound. It’s Braindead productions like Slush that are surely providing the solid proof that Tubby and sometimes partner in crime, Footsie, are names that will be climbing the underground hierarchy in the 2004. Slush, which features on the recent Smoove compilation, Street Beats, has naturally been battered by big boss man Slimzee over the last six months and on release at Christmas, a set without this will be like your old dear serving you Turkey without the gravy. Sort it out love.
Q&A
How long have you been producing for?
About two years now. I’ve had some bits out on the down low and Whatever, that was quite big. I did a Lil Kim booty a few years back In the Planet Phat days but I never put my name to that either. Slush is the biggest thing I’ve done myself so hopefully this tune will get the label out there.
What happened didn’t you own Planet Phat?
I did own it in the end but it wasn’t working out, It was costing too much. I had to quit so now I’m concentrating on the producing. I DJ out too but I’m one of those people who prefers to be in the background.
Was there an idea or plan behind Slush?
Not really, I was just in the studio with a Slush Puppy, Cherry flavour I think it was so I called it Slush. I am going to revive Slush Puppy’s, I’ve decided, I should be sponsored by them - a different flavour for different inspiration. I guess I am a bit cold like a Slush Puppy still haha.
Why do you think Slush is blowing up more than anything else you’ve done?
Because I let people cut it, I don’t normally give stuff out but Slimzee has battered it since I made it eight months ago and he put it on the Smoove Street Beats compilation. Karnage and that have all cut it now, for Karnage to cut it was a big thing cause I didn’t think it would be his kind of thing.
Who or what is Braindead?
That’s mine and Footsie’s label. Me and Footsie work together but we have our own studio’s so there’s a lot of solo stuff. We called it Braindead because that’s what we are…it’s got something to do with the amount we smoke. Sometimes people get a bit fresh, have a couple of pulls, five minutes later they’re in a corner. I’m 25 and I’ve been smoking since I was 10 or 11 so I just control it now.
What have you got coming up?
War Wid with Footsie and D Double E, Pass The Test and Scars, all on Braindead. Is it time to roll another one yet?
Words: Chantelle Fiddy
DJ Tubby Rinse 100.3FM Sunday nights 7-9pm. For more info on DJ Tubby contact Live Agents
A version of this article appeared in Deuce Magazine
New Articles
On shelves now is the new Touch magazine which features a piece I've done on Ciara (no one trick pony this Fiddy girl) and introductions to Crazy Titch and Baby Blue. Also inside Ludacris, Destiny's Child, 2004 review, Frankee (hello why?), Bugz In The Attic, Farnsworth Bentley, The Game, Xzibit and a whole lot more. Over at B&S we're talking Ashanti, 25 years of hip hop on wax (serious props to the Proc on this, smacked it like he sexing it), Sam Cooke, my underground dance column and the rest. Upload soon come (once they're off shelves, big up, employers check blogs you know).
Tofuhut Action
Apologies for lack of updates but it's been kinda manic in the run up to Christmas. One man has been particularly willing to divert my attention - John over at Tofuhut. My lack of knowledge over all things slightly techy, such as MP3 hosting which is the subject we're getting to, prompted John to offer his services. It's like a Delboy and Rodney situation, I supply him the serious MP3 grime armshouse, reviews and some, thus edutaining the American and overseas cousins, and in turn my hit counter raises through the roof and make it look like people do actually read my blog. Shit the bed. I know. Genius or what. So without further ado, I advise a trip to www.tofuhut.blogspot where you can find tracks (hosted for a short time only and with permission), plenty to read and the opportunity to further open your mind to new music. Get me?
Sunday, 5 December 2004
HMP Calling
Just got a phone call from HMP Brixton where Riko is counting down the days until his trial. The big man's keeping his head up and has found some solice in the drama classes he's been occupying his time with. They recently did a play, Shakespeare and Sinatra, which was a big success. I couldn't get tickets unfortunately as it was sold out but reports were good. A bit of online investigating would suggest that prison governor, Mr Podmore, has turned Brixton around with his arts policy and family facilities. Let's hope so as until recently this was one of the UK's worst prisons. Anyway, more on all of this soon. For now I'll leave you with a Riko tip for aspiring aggi mic masters: "If you’re coming through now you have to stand out, sound like you can really murk someone and want to murk someone. Be about something different." Word.
Sadie & Terror
The very attractive Sadie Ama with Terror Danjah at East Co's video shoot. Terror's mixtape drops very soon, well before Christmas at least. Until then you'll be able to hear tracks on Logan Sama's show, Rinse 100.3FM, Fridays 7-9pm. www.rinsefm.com
Me and Snow White aka Sov
A tad old still, we'd just had a marathon Hollyoakes session one Sunday lunchtime at my place. While I may look like I'm promoting the Tanning Shop I'd just returned from Miami where I was doing V for Smash Hits (so gully). I'd also been in the Middle East for two weeks previously so I'm sure I've got loads of nasty skin disorders brewing as a result. Apologies to Lady Sovereign who in turn looks like Snow White.
Outside Wiley's
Someone posted this on the internet a year or so ago and I still find it funny... but maybe it's just me
Love To Hate
“Is Wiley overrated?” When Tense magazine editor, Toussaint Davy, put this question to me my initial reaction was ‘what a freaking idiot.’ Well, Mr Davy my question to you would be “Is Wiley underrated.” After much thought I decided I’m not going to try and argue Wiley as an iller sound boy than Nas, or a more adept studio hand than Timbaland, but what I will do is speak from the heart. To me Wiley not only symbolises the music and culture that has become me, but he is it. And I live for this shit.
He was there for the birth of Rinse 100.3FM which today is more important in the rise of my favourite music than any legal station. Wiley was there for the birth of the Pay As U Go Cartel (PAUG) who lets face it, turned UK garage on it’s head. The reason the old UKG establishment couldn’t hold them down was because we wanted them. We wanted a new energy, fresh sounds, more bass, more bite, more lyrics. Wiley and the Cartel bought all of those things as did the new skool movement that followed. When Wiley produced Know We and the MC’s laid down their bars it was on. Wiley’s production and MCing became of equal importance. A few years on when Wiley unleashed Eskimo it was officially the start of something bigger than perhaps we’d imagined. With the lyrical game having been seriously upped, we’re talking real verbal dexterity, rap credentials, Eskimo became the anthem that signalled showtime and propelled MC’s into the limelight. The buzz was that electric it was like you could feel it in your blood. It’s what myself and clearly many others, had been waiting for. We wanted to be part of this.
The trends that he’s spurred in hindsight are countless. No one knows this better than Wiley. Everyone wants to ride his beats, clash him, MC with him, put him on their line up, on their radio station… Wiley has aided in bringing through countless new MC’s including Dizzee Rascal (there’s little doubt Dizzee would have blown, but Wiley did help him get there that bit quicker), Tinchy, and now Trim. Then there’s the DVD’s, the thousands of white labels sold from his car boot and his debut album for XL Recordings, Treddin’ On Thin Ice which won’t be coming off my stereo for a long while. And still, nothing fuels me more than watching the crowd react to his anthemic rhymes.
It’s for all of this and more that I give thanks to Wiley and why it’s unlikely you’ll ever be able to convince me that he is overrated. (It’s also why I’d like to tell Tous Davy he’s a big piss stain for any derogatory comments he’s made). Yeah, he tends to be late all the time (I’ve waited three days), he isn’t reliable, hey, he might not even show up for your interview (I've lost count of how many jobs of mine he's flopped). But as I've learnt over the years, with Wiley you just can't take it personal.
Words: Chantelle Fiddy
This opinion piece was written in ten minutes for Tense Magazine, unsurprisingly Tous Davy decided not to publish it.
He was there for the birth of Rinse 100.3FM which today is more important in the rise of my favourite music than any legal station. Wiley was there for the birth of the Pay As U Go Cartel (PAUG) who lets face it, turned UK garage on it’s head. The reason the old UKG establishment couldn’t hold them down was because we wanted them. We wanted a new energy, fresh sounds, more bass, more bite, more lyrics. Wiley and the Cartel bought all of those things as did the new skool movement that followed. When Wiley produced Know We and the MC’s laid down their bars it was on. Wiley’s production and MCing became of equal importance. A few years on when Wiley unleashed Eskimo it was officially the start of something bigger than perhaps we’d imagined. With the lyrical game having been seriously upped, we’re talking real verbal dexterity, rap credentials, Eskimo became the anthem that signalled showtime and propelled MC’s into the limelight. The buzz was that electric it was like you could feel it in your blood. It’s what myself and clearly many others, had been waiting for. We wanted to be part of this.
The trends that he’s spurred in hindsight are countless. No one knows this better than Wiley. Everyone wants to ride his beats, clash him, MC with him, put him on their line up, on their radio station… Wiley has aided in bringing through countless new MC’s including Dizzee Rascal (there’s little doubt Dizzee would have blown, but Wiley did help him get there that bit quicker), Tinchy, and now Trim. Then there’s the DVD’s, the thousands of white labels sold from his car boot and his debut album for XL Recordings, Treddin’ On Thin Ice which won’t be coming off my stereo for a long while. And still, nothing fuels me more than watching the crowd react to his anthemic rhymes.
It’s for all of this and more that I give thanks to Wiley and why it’s unlikely you’ll ever be able to convince me that he is overrated. (It’s also why I’d like to tell Tous Davy he’s a big piss stain for any derogatory comments he’s made). Yeah, he tends to be late all the time (I’ve waited three days), he isn’t reliable, hey, he might not even show up for your interview (I've lost count of how many jobs of mine he's flopped). But as I've learnt over the years, with Wiley you just can't take it personal.
Words: Chantelle Fiddy
This opinion piece was written in ten minutes for Tense Magazine, unsurprisingly Tous Davy decided not to publish it.
Mixtape Mania
“Mixtapes are now the newspapers of the ghetto. Everything you want to find our is there.” DJ Whoo Kid
The birth of the mixtape goes way back when. For most of America’s hip hop history it has been one of the strongest forms of underground currency. In the 1970’s the mixtape documented a DJ’s Saturday night set, but now the stock has risen, a tool used by the streets and major record labels for testing new tracks and artists while also allowing signed artists a chance to retain their street appeal.
Yet it’s only now that we have a mixtape explosion in the UK, largely no doubt to new technology and it’s relatively low cost. But also we must thank Fifty Cent. Two years ago his mixtape blew him up overnight. Eminem heard it, a deal was done and the mixtape became lodged in the guerilla marketing psyche.
In the UK we’d been catching on, although a little slowly. For example rave packs have long served as a way of supplying the city sounds to the suburbs and beyond.
But in hip hop circles it was Estelle’s 2003 ‘Diamond In The Rough’ debut that woke people up. A then unsigned artist, her mixtape was mistaken by many as the work of a major label. Shortly TNT released the equally impressive ‘Heat In The Street’, a 30 plus track mixtape showcasing his new artist J2K. Other, now leading street brands, soon followed suit, all with unique formula’s.
Lord of the Decks boasted a CD and DVD of exclusive grime cuts, interviews and freestyles, My Boyz dealt with American and UK hip hop exclusives, Split Mics laid the finest UK MC’s on commercial hip hop instrumentals while Target used Aim High to promo his label’s plan for the future.
“The demands getting bigger (for mixtapes), especially with the DVD’s and outside of London too…” Target explained.
“I have no idea how many bootlegs there are out now. It’s helped my career, a lot of people didn’t know what I was doing before, I’ve definitely got remixes and work off the back of that…They even knew of us in Germany, Amsterdam and Miami. That was a shock.”
XL Recordings weren’t oblivious either. Dizzee Rascal, soon after scoping the Mercury Prize, was roping in the aid of Semtex to deliver the Piece Keepers series feauturing CD and DVD freestyles, performances and new tracks.
So it’s actually been our relative lateness to mixtapes that is working in our favour. Many of our mixtapes are actually still mixed, keeping an element of emphasis on the next generation of DJ (good recent examples include Bossman’s ‘Street Anthems’ and Rossi B & Luca’s ‘More2DaFloor’ where we are treated to some superior scratching, tight beat matching and slick mixes). The majority of UK mixtapes are also focusing on new, unsigned talent, further aiding the burgeoning UK music scene, rather than what the majors record labels are paying them to include or what we’ve all heard before.
But just like CD’s have led to the near extinction of tapes, it’s likely the DVD Magazine and DVD mixtape will continue to rise in popularity. Soon we may see DJ’s going from the streets to major label deals, endorsing licensed compilations, UK Mixtape Awards (America’s Annual Mixtape Awards is now in it’s 8th year), or how about some major bootlegging?
“I think it’s going to go the same way as in America. Everyone will know to get mixtapes to get the freshest music. It might even help push up vinyl sales” Target concludes.
But for every mixtape artist, DJ and record that crosses over to the mainstream, it’s safe to lay bets that they’ll always be countless street scientists ready to continue with the preservation the streets number one medium of expression, the mixtape.
Words: Chantelle Fiddy
A version of this article appears on noiseup.com. You can also check DJ Target's mixtape rules or enter the competition to win Aim High 2 on the site.
The birth of the mixtape goes way back when. For most of America’s hip hop history it has been one of the strongest forms of underground currency. In the 1970’s the mixtape documented a DJ’s Saturday night set, but now the stock has risen, a tool used by the streets and major record labels for testing new tracks and artists while also allowing signed artists a chance to retain their street appeal.
Yet it’s only now that we have a mixtape explosion in the UK, largely no doubt to new technology and it’s relatively low cost. But also we must thank Fifty Cent. Two years ago his mixtape blew him up overnight. Eminem heard it, a deal was done and the mixtape became lodged in the guerilla marketing psyche.
In the UK we’d been catching on, although a little slowly. For example rave packs have long served as a way of supplying the city sounds to the suburbs and beyond.
But in hip hop circles it was Estelle’s 2003 ‘Diamond In The Rough’ debut that woke people up. A then unsigned artist, her mixtape was mistaken by many as the work of a major label. Shortly TNT released the equally impressive ‘Heat In The Street’, a 30 plus track mixtape showcasing his new artist J2K. Other, now leading street brands, soon followed suit, all with unique formula’s.
Lord of the Decks boasted a CD and DVD of exclusive grime cuts, interviews and freestyles, My Boyz dealt with American and UK hip hop exclusives, Split Mics laid the finest UK MC’s on commercial hip hop instrumentals while Target used Aim High to promo his label’s plan for the future.
“The demands getting bigger (for mixtapes), especially with the DVD’s and outside of London too…” Target explained.
“I have no idea how many bootlegs there are out now. It’s helped my career, a lot of people didn’t know what I was doing before, I’ve definitely got remixes and work off the back of that…They even knew of us in Germany, Amsterdam and Miami. That was a shock.”
XL Recordings weren’t oblivious either. Dizzee Rascal, soon after scoping the Mercury Prize, was roping in the aid of Semtex to deliver the Piece Keepers series feauturing CD and DVD freestyles, performances and new tracks.
So it’s actually been our relative lateness to mixtapes that is working in our favour. Many of our mixtapes are actually still mixed, keeping an element of emphasis on the next generation of DJ (good recent examples include Bossman’s ‘Street Anthems’ and Rossi B & Luca’s ‘More2DaFloor’ where we are treated to some superior scratching, tight beat matching and slick mixes). The majority of UK mixtapes are also focusing on new, unsigned talent, further aiding the burgeoning UK music scene, rather than what the majors record labels are paying them to include or what we’ve all heard before.
But just like CD’s have led to the near extinction of tapes, it’s likely the DVD Magazine and DVD mixtape will continue to rise in popularity. Soon we may see DJ’s going from the streets to major label deals, endorsing licensed compilations, UK Mixtape Awards (America’s Annual Mixtape Awards is now in it’s 8th year), or how about some major bootlegging?
“I think it’s going to go the same way as in America. Everyone will know to get mixtapes to get the freshest music. It might even help push up vinyl sales” Target concludes.
But for every mixtape artist, DJ and record that crosses over to the mainstream, it’s safe to lay bets that they’ll always be countless street scientists ready to continue with the preservation the streets number one medium of expression, the mixtape.
Words: Chantelle Fiddy
A version of this article appears on noiseup.com. You can also check DJ Target's mixtape rules or enter the competition to win Aim High 2 on the site.
Wednesday, 1 December 2004
My real i-D
Some vigilant associates have noticed that myself and Hattie made it into this months i-D magazine. Relegated more like. I shouldn't play, we were very pleased to get all up in the gloss and that, complete with Free Riko vests and an entourage of MC's backing us (dare I say we looked kinda fly). But the contributors would have made the 250 had the work experience not miscounted (note 269 in the 250 list alone), hence penultimate page. Oh well. Glass half empty or half full? I'm a half full kind of girl, yet I can't deny my 'oh fuck it' outburst when I saw they'd switched some of mine and Hattie's profile text around. For the record, I'm not the hip hop ya don't stop, I am in fact the thesaurus loving grime guru. Well at least we got that cleared up. I haven't had much time to get personal or update my profile, so for those that wanna know, here are the real answers...
Name:
Chantelle Fiddy & Hattie Collins
When were you first in i-D?
Fiddy: A late arrival I surfaced in the ’04.
Collins: In 2002.
The work we do is…
Individually we write lines, create verse, play with words and aim to bring street culture at home and abroad to the forefront of every publication that will have us (bar the Daily Mail).
The five words that best describe me are…
Fiddy: A thesaurus loving grime guru
Collins: Hip hop ya don’t stop
My greatest achievement so far is…
Fiddy: Living in E2. One day I’ll make it to Bow E3, one day…
Collins: Been on Crossroads…the first time round
25 years ago I was…
Fiddy: Waiting to happen
Collins: Only five and kicking arse on BBC2’s Play Chess. Actually it was a draw but hey.
The best advice I've been given is…
Fiddy: Keep your eyes open and legs shut (thanks for that Hattie)
Collins: Be reliable and keep it real.
The best thing in my life is…
Fiddy: Hattie Collins
Collins: Chantelle Fiddy
My greatest hope for the next 25 years is…
Fiddy: That grime is still as good, I’ll give up smoking, find my way with words oh and that Hattie Collins retires and I reign supreme! Ha ha ha!
Collins: For World peace, happiness for all man kind, the end to homelessness and that I finally win Miss World.
The last time we celebrated was…
Not that long ago
And it was for…
The MOBO awards
We celebrated with…
Crazy Titch and lots of Bacardi cocktails
And we wore…
What we wore is immaterial but as you are so nosey Collins stole the show in a saucy Basque and not a lot else while Fiddy donned a quiff, an exquisite PPQ dress and some shoes that cost £15 from Diva on Bethnal Green high street.
Nobody knows we…
Live together
We move our feet when we hear…
Lethal B ‘Pow’, Riko ‘Don’t Want U Back’, Terror Squad ‘Lean Back’, Mr Wong ‘Orchestra Boroughs’, anything by Lil Jon, Roll Deep, and the ladies from Fury to Foxy.
We love the smell of…
Clean pants, hi-grade, Body Shop’s Coconut Body Butter and fresh vinyl.
Our favourite drink is…
Mojhito’s
We had the time of our life's when we…
Were whisked to Puerto Rico for five days to interview the queen of hip hop, Missy Elliott, for 45 minutes…between us.
Name:
Chantelle Fiddy & Hattie Collins
When were you first in i-D?
Fiddy: A late arrival I surfaced in the ’04.
Collins: In 2002.
The work we do is…
Individually we write lines, create verse, play with words and aim to bring street culture at home and abroad to the forefront of every publication that will have us (bar the Daily Mail).
The five words that best describe me are…
Fiddy: A thesaurus loving grime guru
Collins: Hip hop ya don’t stop
My greatest achievement so far is…
Fiddy: Living in E2. One day I’ll make it to Bow E3, one day…
Collins: Been on Crossroads…the first time round
25 years ago I was…
Fiddy: Waiting to happen
Collins: Only five and kicking arse on BBC2’s Play Chess. Actually it was a draw but hey.
The best advice I've been given is…
Fiddy: Keep your eyes open and legs shut (thanks for that Hattie)
Collins: Be reliable and keep it real.
The best thing in my life is…
Fiddy: Hattie Collins
Collins: Chantelle Fiddy
My greatest hope for the next 25 years is…
Fiddy: That grime is still as good, I’ll give up smoking, find my way with words oh and that Hattie Collins retires and I reign supreme! Ha ha ha!
Collins: For World peace, happiness for all man kind, the end to homelessness and that I finally win Miss World.
The last time we celebrated was…
Not that long ago
And it was for…
The MOBO awards
We celebrated with…
Crazy Titch and lots of Bacardi cocktails
And we wore…
What we wore is immaterial but as you are so nosey Collins stole the show in a saucy Basque and not a lot else while Fiddy donned a quiff, an exquisite PPQ dress and some shoes that cost £15 from Diva on Bethnal Green high street.
Nobody knows we…
Live together
We move our feet when we hear…
Lethal B ‘Pow’, Riko ‘Don’t Want U Back’, Terror Squad ‘Lean Back’, Mr Wong ‘Orchestra Boroughs’, anything by Lil Jon, Roll Deep, and the ladies from Fury to Foxy.
We love the smell of…
Clean pants, hi-grade, Body Shop’s Coconut Body Butter and fresh vinyl.
Our favourite drink is…
Mojhito’s
We had the time of our life's when we…
Were whisked to Puerto Rico for five days to interview the queen of hip hop, Missy Elliott, for 45 minutes…between us.
Rotten Diaries
Various -Blooks Presents Rotten Diaries - DVS Mixtape
DVS Crew's Blooks has selected twenty seven freestyles and new tracks for this compilation. Flirting between a variety of new UK hip hop and grime acts, those that made the cut include Slew Dem, Esco, DM, Raw Ones, Ears and Blooks himself. Although this doesn't standout as much as some of the mixtape competition, it will be a first glance for many into another batch of street disciples.
DVS Crew's Blooks has selected twenty seven freestyles and new tracks for this compilation. Flirting between a variety of new UK hip hop and grime acts, those that made the cut include Slew Dem, Esco, DM, Raw Ones, Ears and Blooks himself. Although this doesn't standout as much as some of the mixtape competition, it will be a first glance for many into another batch of street disciples.
Saturday, 27 November 2004
Meet Ghetto
I first heard Ghetto spitting about 18 months ago at the 2003 Urban Music Seminar. And we're not talking any flash stage show here but some hardcore, limb for limb, clashing business. I remember Ghetto appearing from nowhere, taking over the battle already going on and murdering the previous winners. Without a doubt he was the aggiest, most in your face MC i'd ever seen. And he's come a long way baby. Drafted into NASTY Crew soon after this he's been building his ammunition and is currently doing the rounds with Kano and Demon (check this weeks Zane Lowe's show at www.bbc.co.uk/radio1). Here's a quick catch up for the record...
What are you working on?
A mixtape right now called Destined For Trouble which is licking the road soon, probably December time.
Who’s repping on it?
Stormin, you know what the whole scene and couple of outsiders…I’ll let them be a surprise. There’s some known stuff, rap and new bits too.
So what about NASTY?
Everyone’s doing mixtapes at the moment then we’ll come together to get the album on road.
What vinyls dropping soon?
I got a solo tune, my first single called Ghetto coming soon. It’s big!
How would you describe Ghetto?
Ghetto, my name says it all.
I know you’re a nice boy really, but saying that, I had my bum pinched earlier and someone snitched and said it was you?
Nooo…ok It was but it was Kano too. Kano what have you got to say, you were involved too? Look he’s in denial now. Shit it's always me who gets it. One girl over there won't stop laughing at me look. What? What?
What are you working on?
A mixtape right now called Destined For Trouble which is licking the road soon, probably December time.
Who’s repping on it?
Stormin, you know what the whole scene and couple of outsiders…I’ll let them be a surprise. There’s some known stuff, rap and new bits too.
So what about NASTY?
Everyone’s doing mixtapes at the moment then we’ll come together to get the album on road.
What vinyls dropping soon?
I got a solo tune, my first single called Ghetto coming soon. It’s big!
How would you describe Ghetto?
Ghetto, my name says it all.
I know you’re a nice boy really, but saying that, I had my bum pinched earlier and someone snitched and said it was you?
Nooo…ok It was but it was Kano too. Kano what have you got to say, you were involved too? Look he’s in denial now. Shit it's always me who gets it. One girl over there won't stop laughing at me look. What? What?
Riko gets Random with Sovereign
Roll Deep Crew’s Riko is still residing at Brixton HMP awaiting trial. But thanks to the wonders of new technology he’s contributed 16 bars for the remix of Random from behind grey walls. “Menta got him straight down the line into the studio” Sovereign explained. “Riko said it was easier to do than he imagined but don’t start thinking he’s the UK’s answer to Shyne. I gotta big him up cause the shits hot. The remix sounds like a totally different tune to the original.” We managed to track Riko down and his letter read “I was happy to lace the track. I Think people will see we’ve come with something a bit different innit? I don’t think I’m the UK’s Shyne, but saying that you never know what’s going to happen.” Free Riko for sheezy. The Menta remix of Lady Sovereign’s Random, featuring MC Riko will be out on promo this month before it’s full release in January. Look out for the feature that soon come in B&S.
Friday, 26 November 2004
Heating Up
Another one for the rack, Heat in The Street Volume 3 is now in all good independent stores. Featuring Kano, J2K, Titch, Lethal B, D Double, Terror Danjah, Shola Ama, Maihem, 2 Tuff, Bruizer, Fury and many more get yourself on over to www.rhythmdivision.co.uk.
Added Sugar
Crazy Titch has teamed up with Keisha from the Sugababes and hotshot producer Alias. The result? Gully. Already causing major commotion amongst DJ’s and listeners alike this is set for release on Middlerow sometime soon. While the trend for female vocalists returning to the scene and teaming up with MC’s continues, they’ll be no complaints here. Titch best be set for a hectic schedule as he chucks out bomb after bomb, Sing-a-long still scheduled to land this month.
SLK get Hype
Ministry of Sound have snapped up new garage anthem, ‘Hype Hype’, which has been receiving heavy rotation on Channel U for a quick minute. Produced by veteran and ex-Social Circles main man, Sticky, featuring SLK’s Flirta D, Van Damage and Lady Envi it looks set to do some serious damage on it’s release in February 2005.
Thursday, 25 November 2004
Exclusive MP3's
Distribution company http://www.essentialdirect.co.uk/ have some exclusives for sale including the never-released Terror Danjah, D Double E and Triple Threat 'Hard Like Nipple.' A comedy classic it's a must have for only 99p. A dubplate at last!
Tubby T
Thoughts going out to Tubby T who is in hospital having suffered a stroke. A statement read "Due to many rumours that have been flying around in the last 48 hours, myself and Tubby's family would like to issue the following statement: On Saturday 20th November, Tubby T collapsed at his home in West London. He was rushed to hospital and was diagnosed as having suffered a major stroke. He is currently in a stable, though serious condition. The stroke was thought to have been brought on by very high blood pressure, which it turns out he suffers from, and also from his recent heavy workload. Rumours of him being shot, having taken an overdose and other such wild statements are utterly untrue, and also disrespectful. This has come as a massive shock to all his family, and the people who know and love him. At this time we would like to make clear the truth behind his sudden collapse and also ask everyone to respect his privacy."
Here's wishing him a full recovery.
Here's wishing him a full recovery.
My Bitch
Entering my kitchen I always turn on the radio, one of those cheap plastic retro-rip-off supermarket jobs in pastel blue. I've had hours of fun, cooking pies and mopping floors, with the company of my £10 bitch. Tonight I marvelled at her dirtyness. Bass lines erupted from her one speaker with a sonic beauty, lyrics rolling as crisp as Walkers, not something normally associated with listening to crackling pirate radio stations. But that's because it wasn't. Some f****r had changed the station to Radio 1. I had wondered when Rinse began playing rock, yet this sounded like Palace Pavillion on a Saturday night. Alas it was actually Zane Lowe broadcasting live from someplace, somewhere in Northampton. Lethal B and the boys had performed Pow, Kano was now supplying some of his new album cuts (mind blowing) with the aid of Ghetto and Demon, next up Dizzee Rascal murking...rahtid! The crowd, and I'm talking bare (lots of) girls were going nuts, kinda like the time I mixed loads of chemicals and paint together, vandalised my neighbours shed and my mum found out. I couldn't take the perfect tuning for too long though and reverted to re-watching Practise Hours but trust me, it's worth showing your bitch some love and delving into Mr Lowe's archive (well I would) www.bbc.co.uk/radio1. *N.B if you prefer your bacon crispy www.rinsefm.com*
Time killers
Ghettomixtapes posted a link to an online D Double E interview. Haven't tried it yet but if you have a minute to kill http://www.soundclick.com/bands/5/introvolume4music.htm. There's also a mix cd at http://www.soundclick.com/bands/0/sowhatsyndicatemusic.htm.
If you fancy something less noisy then check out some rave and club pictures at http://www.darksideriddem.com. No porn, sorry. As for reading material if you want to delve into the world of mixtapes? Check www.noiseup.com/issue3/mixtapes/index.php for an article I've just had uploaded. It includes DJ Targets mixtape tips, a run down and some links of where to track down UK mixtapes online. Other features include M.I.A. (going out to Jeff in Seattle on that one), Kano, Animation, Decks & FX and DIY Clubs.
If you fancy something less noisy then check out some rave and club pictures at http://www.darksideriddem.com. No porn, sorry. As for reading material if you want to delve into the world of mixtapes? Check www.noiseup.com/issue3/mixtapes/index.php for an article I've just had uploaded. It includes DJ Targets mixtape tips, a run down and some links of where to track down UK mixtapes online. Other features include M.I.A. (going out to Jeff in Seattle on that one), Kano, Animation, Decks & FX and DIY Clubs.
Practice Hours
It's all about Practise Hours, the first of a whole batch of DVD's landing on road. Bought to you by the media gang this is quite possibly one of the best, if not the best, DVD to come out of the grime scene. Media gang themselves are intelligent guys, seomthing that seems reflected in their editing, the two main sections been interviews and freestyles. They've managed to bring a balanced product - there's enough controversial moments to keep the forums alive for months and spark countless wars, but there's also much food for thought provided. JME in particular draws some nice cultural theory while Ruff Squad discuss the hardship youngsters are experiencing in penetrating the higher echelons of the scene. Others among those featured are Meridian Crew, Crazy Titch, J2K, Wiley, Trim, Riko, Karnage, Jammer, Ears, Bigga, Kano, All In One and SLK.
Having taken the best part of a year to compile there's many added bonues including a Wiley and Lethal B clash, pirate radio and rave footage, footage from Conflict, and everyday life in and around the studio. As if that wasn't enough there are also trailers for Creeper Vol 1 and Aim High Vol 2. Phew.
Having taken the best part of a year to compile there's many added bonues including a Wiley and Lethal B clash, pirate radio and rave footage, footage from Conflict, and everyday life in and around the studio. As if that wasn't enough there are also trailers for Creeper Vol 1 and Aim High Vol 2. Phew.
Monday, 22 November 2004
An Existential Movement?
"…Big up all my soldiers in a-da army, from you respect and love Bob Marley, Garnett Silk and Mohammed Ali, Peter Tosh and Marcus Garvey, Martin Luther, King to da Junior, I still hate Malcolm X’s shooter…"
Desperate to instigate enough excitement to warrant the record getting a rewind and retain his reputation, the MC steps up to rhyme for his life. The crowd surge towards the stage, bodies start spontaneously bouncing, energy levels threatening to raise the roof. The thousand-strong army of fans raise their hands in united gun finger salutes as they rhyme along with the MC of the unknown genre, firing his 16 bars at lightening speed, his mission now seemingly accomplished.
"…Biggie, 2 Pac two powerful black men, like Mike Tyson, Jordan, Jackson and Nelson Mandela, Durrty Doogz is bringing hell to your antennae, I’ve told them to free Titch he’s my likkle brother, now we’re gonna switch like English weather, see this ones for the soldiers in the struggle, that have to hustle to make their cash money double, High-grade must juggle, cause white and brown brings trouble and boys get left in blood puddle…"
The riddim track, a culmination of jittery, unpredictable, recondite beats and demoniac bass, a some-what unexplainable backing track, is cued up, and dropped with a no nonsense flair. It’s at raves such as Sidewinder and Eskimo Dance (‘the meeting of the ghetto’s as some refer to them), that there now roams this autonomous, professedly rule-free musical ideology.
When promoters and major record labels turned their backs on UK garage in 2001, the scene was drawn to a darker alley where quirky, gritty subs and random keyboard sequences roamed, dominated by a fresh breed of MC’s, lyricists who wanted to chat the rough with not a lot of the smooth.
Recommendations in the naming hat included Grime, Eski, 8 Bar and Sublow, while other parties would prefer to stick to the UK garage heritage, deeming the new sounds simply as offshoots. The opposition argue that the sound is too far a cry away from UK garage’s roots and carries false connotations.
The genre with no name.
Championed by the likes of N.A.S.T.Y, Roll Deep and Pay As U Go on radio stations such as Rinse and Déjà Vu, the scene has been bubbling and evolving. The soundtrack to their east London street life is emanating throughout the nations cities, the rhythm of suburbia an indispensable fuel.
Produced by kids and adults in both million pound studios and by first timers on Playstation’s, and born predominantly from the womb of UK garage, it’s tempo marginally exceeds the traditional 130-135bpm. Absent are the resonant vocals and melodies, replaced by, well, not a lot. Because while many of the artists who deserted Jungle in the late 1990’s for the more melodic sounds of UK garage adapted with ease, not all emcees could conform to the slower pace. A handful of producers and MC’s took matters into their own hands, constructing instrumentals that broke from the norm. These MC friendly tracks allowed an elevation into an abyss of unexplored lyrical territory.
A far cry from usual British rapping attempts, instead of imitating American flows and speech patterns, regardless of their assumed ethnicity, the emcees began to play a colourless game as Cockney linguists. Accents become exaggerated and switch between this months favoured Jamaican patois and English slang. Momentum mutates on their terms, not that of the music. It’s true to itself in every way not needing to emanate America, the culture, the rappers or the music in any way.
The majority of this verbally dextrous clique hails from Bow, E3. Tales of day to day events document a life without much form of stability and luxury. Anyone spending just a day in the company of their London estates need not question the motives for the lyrics that would place Kim Howell on that long-ass NHS list for a triple bypass.
This hardship factor, absurd as it may seem, is adding to the scenes appeal. The class basis means the scene is controlled by a multi-cultural peer group who share a universal theme – they have the odds stacked against them. Ask them what they’ve witnessed and it’s scarier than the Clockwork Orange. Shootings, beatings, sexual abuse, crack dens, robberies, death…It’s as worrying, bleak and morbid as underworld Britain gets.
The theory that shit is indeed the best fertiliser is a key theme in their path of musical evolution. It is out of these dire straits that they’ve created a culture with broadening appeal. They use their music as a weapon to gain respect, a voice, a reflection of their world which we tend to ignore but that they don’t want to disregard anymore. It’s a revolt against society and It’s meaningless, wasteful pop music.
Is this a modern day existential movement? Quite possibly. In no other genre can as much stress be put on the individuals existence and consequently on subjectivity, individual freedom and choice.
“Get some drive in your body, don’t feel sorry for yourself just move your body, and set your goals, and score, set the pace and don’t stop, keep going get more, get up and move forwards, go forward, backwards ain’t no good, lazy cause your body ain’t got no fuel it’s no good, where’s your drive, where’s your will to stay alive, where’s your will to survive and be someone somewhere doing something, think you gotta be doing something, you can’t do nothing and think you’re getting something, whatever it’s gotta be we just do it, or somebody else will do it, done the long ting, go just do it.” Wiley – Pick Yourself Up.
Like the writing of Sartre, the prose at work often seems cold-hearted and illogical but they make the meaning themselves, by often revealing situations with the very intention of changing it.
“Shot this man, shot that man, and robbed this man, fuck that…left it rudeboy, conscious time… Life’s a bit hard, life’s a bitch but you gotta stay calm don’t switch…just cool your temper, always try to remember in-a-this game you’re a life long member, so it’s best if you plan for the future, listen to the lyrical lesson and learn from the shooter, just put down your shooter, rudeboy just put down your shooter, cause if you’ve got a shooter, he’s got a shooter, and I know I’d definitely shoot yer, long, talk about wrong, all this arms house I wanna get big from my song…” Riko – Chosen One
Sartre also argued that the changing nature of the social and metaphysical requires development of new styles of expression. And here we are, on the brink of the takeover, yet we remain with no definitive classification.
While the great genre debate has been in full swing for over a year, it was when Dizzee Rascal’s I Luv U hit the mainstream that there was no escaping the dispute, Dizzee himself declaring the war of the genus on.
But does anyone REALLY care what it’s called?
The mystery and buzz that is encompassing this underground dance music is drawing heuristic visionaries likes bee’s to a hive. Never before has there been such interest in these lesser-known record labels, mixtapes, flyers and radical radio shows, the backbone for a scene that’s been fighting an ongoing battle for any recognition and support.
And while people continue to scratch their heads, battling for comprehension and definition, Grime/Eski/8 Bar/Sublow/UK garage or whatever, has a colossal future marked out. It’s un-quantifiable energy makes for the realest music phenomenon we’ve got, it’s THE flag we should all be waving.
Words: Chantelle Fiddy
A version of this article appeared in Tank Magazine
Desperate to instigate enough excitement to warrant the record getting a rewind and retain his reputation, the MC steps up to rhyme for his life. The crowd surge towards the stage, bodies start spontaneously bouncing, energy levels threatening to raise the roof. The thousand-strong army of fans raise their hands in united gun finger salutes as they rhyme along with the MC of the unknown genre, firing his 16 bars at lightening speed, his mission now seemingly accomplished.
"…Biggie, 2 Pac two powerful black men, like Mike Tyson, Jordan, Jackson and Nelson Mandela, Durrty Doogz is bringing hell to your antennae, I’ve told them to free Titch he’s my likkle brother, now we’re gonna switch like English weather, see this ones for the soldiers in the struggle, that have to hustle to make their cash money double, High-grade must juggle, cause white and brown brings trouble and boys get left in blood puddle…"
The riddim track, a culmination of jittery, unpredictable, recondite beats and demoniac bass, a some-what unexplainable backing track, is cued up, and dropped with a no nonsense flair. It’s at raves such as Sidewinder and Eskimo Dance (‘the meeting of the ghetto’s as some refer to them), that there now roams this autonomous, professedly rule-free musical ideology.
When promoters and major record labels turned their backs on UK garage in 2001, the scene was drawn to a darker alley where quirky, gritty subs and random keyboard sequences roamed, dominated by a fresh breed of MC’s, lyricists who wanted to chat the rough with not a lot of the smooth.
Recommendations in the naming hat included Grime, Eski, 8 Bar and Sublow, while other parties would prefer to stick to the UK garage heritage, deeming the new sounds simply as offshoots. The opposition argue that the sound is too far a cry away from UK garage’s roots and carries false connotations.
The genre with no name.
Championed by the likes of N.A.S.T.Y, Roll Deep and Pay As U Go on radio stations such as Rinse and Déjà Vu, the scene has been bubbling and evolving. The soundtrack to their east London street life is emanating throughout the nations cities, the rhythm of suburbia an indispensable fuel.
Produced by kids and adults in both million pound studios and by first timers on Playstation’s, and born predominantly from the womb of UK garage, it’s tempo marginally exceeds the traditional 130-135bpm. Absent are the resonant vocals and melodies, replaced by, well, not a lot. Because while many of the artists who deserted Jungle in the late 1990’s for the more melodic sounds of UK garage adapted with ease, not all emcees could conform to the slower pace. A handful of producers and MC’s took matters into their own hands, constructing instrumentals that broke from the norm. These MC friendly tracks allowed an elevation into an abyss of unexplored lyrical territory.
A far cry from usual British rapping attempts, instead of imitating American flows and speech patterns, regardless of their assumed ethnicity, the emcees began to play a colourless game as Cockney linguists. Accents become exaggerated and switch between this months favoured Jamaican patois and English slang. Momentum mutates on their terms, not that of the music. It’s true to itself in every way not needing to emanate America, the culture, the rappers or the music in any way.
The majority of this verbally dextrous clique hails from Bow, E3. Tales of day to day events document a life without much form of stability and luxury. Anyone spending just a day in the company of their London estates need not question the motives for the lyrics that would place Kim Howell on that long-ass NHS list for a triple bypass.
This hardship factor, absurd as it may seem, is adding to the scenes appeal. The class basis means the scene is controlled by a multi-cultural peer group who share a universal theme – they have the odds stacked against them. Ask them what they’ve witnessed and it’s scarier than the Clockwork Orange. Shootings, beatings, sexual abuse, crack dens, robberies, death…It’s as worrying, bleak and morbid as underworld Britain gets.
The theory that shit is indeed the best fertiliser is a key theme in their path of musical evolution. It is out of these dire straits that they’ve created a culture with broadening appeal. They use their music as a weapon to gain respect, a voice, a reflection of their world which we tend to ignore but that they don’t want to disregard anymore. It’s a revolt against society and It’s meaningless, wasteful pop music.
Is this a modern day existential movement? Quite possibly. In no other genre can as much stress be put on the individuals existence and consequently on subjectivity, individual freedom and choice.
“Get some drive in your body, don’t feel sorry for yourself just move your body, and set your goals, and score, set the pace and don’t stop, keep going get more, get up and move forwards, go forward, backwards ain’t no good, lazy cause your body ain’t got no fuel it’s no good, where’s your drive, where’s your will to stay alive, where’s your will to survive and be someone somewhere doing something, think you gotta be doing something, you can’t do nothing and think you’re getting something, whatever it’s gotta be we just do it, or somebody else will do it, done the long ting, go just do it.” Wiley – Pick Yourself Up.
Like the writing of Sartre, the prose at work often seems cold-hearted and illogical but they make the meaning themselves, by often revealing situations with the very intention of changing it.
“Shot this man, shot that man, and robbed this man, fuck that…left it rudeboy, conscious time… Life’s a bit hard, life’s a bitch but you gotta stay calm don’t switch…just cool your temper, always try to remember in-a-this game you’re a life long member, so it’s best if you plan for the future, listen to the lyrical lesson and learn from the shooter, just put down your shooter, rudeboy just put down your shooter, cause if you’ve got a shooter, he’s got a shooter, and I know I’d definitely shoot yer, long, talk about wrong, all this arms house I wanna get big from my song…” Riko – Chosen One
Sartre also argued that the changing nature of the social and metaphysical requires development of new styles of expression. And here we are, on the brink of the takeover, yet we remain with no definitive classification.
While the great genre debate has been in full swing for over a year, it was when Dizzee Rascal’s I Luv U hit the mainstream that there was no escaping the dispute, Dizzee himself declaring the war of the genus on.
But does anyone REALLY care what it’s called?
The mystery and buzz that is encompassing this underground dance music is drawing heuristic visionaries likes bee’s to a hive. Never before has there been such interest in these lesser-known record labels, mixtapes, flyers and radical radio shows, the backbone for a scene that’s been fighting an ongoing battle for any recognition and support.
And while people continue to scratch their heads, battling for comprehension and definition, Grime/Eski/8 Bar/Sublow/UK garage or whatever, has a colossal future marked out. It’s un-quantifiable energy makes for the realest music phenomenon we’ve got, it’s THE flag we should all be waving.
Words: Chantelle Fiddy
A version of this article appeared in Tank Magazine
New Crazy Titch biog
Nineteen year old Carl Nathaniel is one man who’s living up to his alter-ego. Crazy by name and Crazy by nature, he’s the true joker of the new MC pack, but a Titch he simply isn’t. Fresh out of the grime (or UK garage scene as he prefers to call it), his ability for hooks and catchy songs is catching the ears of more than just the underground. And for a kid reported at school to be tone deaf, that’s no mean feat.
Crazy Titch describes himself as an uncut, real and raw product of his environment, a product that comes equipped with an unquantifiable energy, passion and sense of humour. Born in Whitechapel, east London in 1983, he grew up in Plaistow with his mum, brother and sister. Among his childhood friends were Wiley, Gods Gift, Sharky Major, Demon, and Storming, who together started exploring the hip hop artform of emceeing.
Like his older step-brother Durrty Doogz (now called Goodz), he went on at the tender age of 13 to collect the renowned Kool FM Kool Skool Award for talent, pocketing a neat £50 along the way. But Titch still saw emceeing as a hobby and like many of todays inner city kids, began to find himself lost at school with no real ambition.
“Because I was like a black sheep in my early school days, I actually read books. It was cause of that, as a young kid, I wanted to be Burglar Bill. He’d always get shifted then there’d be another book so I thought he got away with it. Really, they should ban that book and just teach them (kids) the ABC and times table.”
In keeping with Crazy antics Superman seemed a viable alternative.
“From the age of four I’d been jumping down flights of stairs, thinking I was indestructible. I wanted to save people, I didn’t like seeing the struggle around me. Even though I went to church in an itchy wool suit with my grandma right through my teens, I couldn’t understand that there was a God with the stuff that was going on where we lived.”
Soon a catalogue of misdemeanors would see Titch residing at Her Majesty’s Pleasure. But the youth detention centre proved a blessing in disguise. Lessons in cognitive skills saw him return to life on the outside with a fresh perspective and hunger to pursue new avenues – telesales and music, the latter proving his stronger fortay.
Within a short space of time, he was headlining raves such as Eskimo Dance, Young Man Standing, and Sidewinder as well as club nights at Stratford Rex and Smoove at Ministry of Sound among others.
Titch joined forces with Doogz to form Boy In Da Hood, a garage collective that would go onto become one of the UK’s leading. By January 2003 he had recorded his first track ‘True MC’s with Doogz, and NASTY Crew’s Hyper. Although it never saw a release it wasn’t long before leading producer Terror Danjah (Aftershock Records) invited Titch to appear on ‘Cock Back’ alongside Riko, Hyper and D Double E. It went on to become an anthem both at home and in garage’s summer Mecca of Ayia Napa.
His first solo outing in 2004, ‘I Can C U’, was playlisted at 1Xtra and is recognised as one of Channel U’s most voted for video’s and garage psalms. Since then Titch has become one of the most sought after vocalists, featuring on Shystie’s ‘Make It Easy’ Rmx (Polydor) and Mr Wong’s ‘Orchestral Boroughs’ where alongside JME, and Flirta D they unite the four corners of London. Forthcoming releases include a collaboration, ‘Stop’ with TNT and J2K and Titch's much anticipated second solo single, ‘Sing Along’, currently one of the hottest DJ dubplates.
From pirate stations including Rinse FM, DeJa, Heat, Freeze and Silk City (in Birmingham), to the legal airwaves of Choice FM, BBC 1Xtra and even Radio 1, all have welcomed Crazy Titch’s unique technique and energy. Even the heads at NME have discovered Titch and named him one of ‘The Coolest People on The Planet for 2005’. A rare invitation from Tim Westwood to join him on the rap show recently, following his ongoing lyrical battle with Mercury Prize Winner, Dizzee Rascal, gave Titch the official salute of approval and acceptance to a mainstream audience. His stint on D12’s UK tour, warming up alongside Lady Sovereign on several dates across the country further highlighted both current and potential popularity.
While he’s is in the studio putting finishing touches to his self-initiated mixtape and DVD series, ‘Crazy Times’, he is still managing to dream about getting Ludacris, Pharell and Cliff Richard on a track together while also working on his debut album. Producers on the album include Target, Wong, DaVinChe and a host of new names creating a fresh blend of garage, grime, and hip hop to compliment Titch’s plans for verbal domination.
Crazy Time it is.
Words: Chantelle Fiddy.
Crazy Titch describes himself as an uncut, real and raw product of his environment, a product that comes equipped with an unquantifiable energy, passion and sense of humour. Born in Whitechapel, east London in 1983, he grew up in Plaistow with his mum, brother and sister. Among his childhood friends were Wiley, Gods Gift, Sharky Major, Demon, and Storming, who together started exploring the hip hop artform of emceeing.
Like his older step-brother Durrty Doogz (now called Goodz), he went on at the tender age of 13 to collect the renowned Kool FM Kool Skool Award for talent, pocketing a neat £50 along the way. But Titch still saw emceeing as a hobby and like many of todays inner city kids, began to find himself lost at school with no real ambition.
“Because I was like a black sheep in my early school days, I actually read books. It was cause of that, as a young kid, I wanted to be Burglar Bill. He’d always get shifted then there’d be another book so I thought he got away with it. Really, they should ban that book and just teach them (kids) the ABC and times table.”
In keeping with Crazy antics Superman seemed a viable alternative.
“From the age of four I’d been jumping down flights of stairs, thinking I was indestructible. I wanted to save people, I didn’t like seeing the struggle around me. Even though I went to church in an itchy wool suit with my grandma right through my teens, I couldn’t understand that there was a God with the stuff that was going on where we lived.”
Soon a catalogue of misdemeanors would see Titch residing at Her Majesty’s Pleasure. But the youth detention centre proved a blessing in disguise. Lessons in cognitive skills saw him return to life on the outside with a fresh perspective and hunger to pursue new avenues – telesales and music, the latter proving his stronger fortay.
Within a short space of time, he was headlining raves such as Eskimo Dance, Young Man Standing, and Sidewinder as well as club nights at Stratford Rex and Smoove at Ministry of Sound among others.
Titch joined forces with Doogz to form Boy In Da Hood, a garage collective that would go onto become one of the UK’s leading. By January 2003 he had recorded his first track ‘True MC’s with Doogz, and NASTY Crew’s Hyper. Although it never saw a release it wasn’t long before leading producer Terror Danjah (Aftershock Records) invited Titch to appear on ‘Cock Back’ alongside Riko, Hyper and D Double E. It went on to become an anthem both at home and in garage’s summer Mecca of Ayia Napa.
His first solo outing in 2004, ‘I Can C U’, was playlisted at 1Xtra and is recognised as one of Channel U’s most voted for video’s and garage psalms. Since then Titch has become one of the most sought after vocalists, featuring on Shystie’s ‘Make It Easy’ Rmx (Polydor) and Mr Wong’s ‘Orchestral Boroughs’ where alongside JME, and Flirta D they unite the four corners of London. Forthcoming releases include a collaboration, ‘Stop’ with TNT and J2K and Titch's much anticipated second solo single, ‘Sing Along’, currently one of the hottest DJ dubplates.
From pirate stations including Rinse FM, DeJa, Heat, Freeze and Silk City (in Birmingham), to the legal airwaves of Choice FM, BBC 1Xtra and even Radio 1, all have welcomed Crazy Titch’s unique technique and energy. Even the heads at NME have discovered Titch and named him one of ‘The Coolest People on The Planet for 2005’. A rare invitation from Tim Westwood to join him on the rap show recently, following his ongoing lyrical battle with Mercury Prize Winner, Dizzee Rascal, gave Titch the official salute of approval and acceptance to a mainstream audience. His stint on D12’s UK tour, warming up alongside Lady Sovereign on several dates across the country further highlighted both current and potential popularity.
While he’s is in the studio putting finishing touches to his self-initiated mixtape and DVD series, ‘Crazy Times’, he is still managing to dream about getting Ludacris, Pharell and Cliff Richard on a track together while also working on his debut album. Producers on the album include Target, Wong, DaVinChe and a host of new names creating a fresh blend of garage, grime, and hip hop to compliment Titch’s plans for verbal domination.
Crazy Time it is.
Words: Chantelle Fiddy.
Wednesday, 17 November 2004
Vote Kano!
Well that's what the email said... Vote Kano To Win - T4 / Smash Hits Award...Text 83188 - Vote A - Phone Lines Open On Saturday!! Get Voting! Apparently he's also now got his own forum at http://www.majorfm.com/forum/kano.html
Tuesday, 16 November 2004
Small Pleasures
In the past I've been very reluctant to buy the Observer on a Sunday specifically for the Music Monthly as it can be pretty swag (nb favourite word of moment) and I struggle enough to get through the Sunday Times. (I do acknowledge, however, that I am a hard-to-please, rather petulant child).
But blow me down like one of those inflatable dolls my flatmate owns. This weekend I found myself in a cafe on Hackney Road doing a disjointed cheer leader routine as I spotted Simon Reynolds review of Run The Road. It gave me great pleasure to see The Observer had got someone more than decent to write it, then the realisation struck that it also sat above the likes of Eminem, Gwen, DC etc...Ecstatic.
The review itself in my eyes was spot on. And (Martin Clark aka Blackdown) can back me on this, I rarely agree with much. Picking out Chosen One as a/the standout track was a sentiment echoed by many of us. Target of course, for the record, is chuffed with it. As to is Riko. I frantically got onto his solicitor to pick up a copy and I think the review looks set to gain prime position in the 'Free Riko File.'
But blow me down like one of those inflatable dolls my flatmate owns. This weekend I found myself in a cafe on Hackney Road doing a disjointed cheer leader routine as I spotted Simon Reynolds review of Run The Road. It gave me great pleasure to see The Observer had got someone more than decent to write it, then the realisation struck that it also sat above the likes of Eminem, Gwen, DC etc...Ecstatic.
The review itself in my eyes was spot on. And (Martin Clark aka Blackdown) can back me on this, I rarely agree with much. Picking out Chosen One as a/the standout track was a sentiment echoed by many of us. Target of course, for the record, is chuffed with it. As to is Riko. I frantically got onto his solicitor to pick up a copy and I think the review looks set to gain prime position in the 'Free Riko File.'
Rolling not so Deep
An update on the Rolling Deeper DVD, turns out it's not going to get a proper release. The 30 minute car-fest and tour of the manor will instead be used as promotional material (for Vauxhall one assumes). However, Target's Aim High Vol 2. is nearly finished and will come complete with a bonus DVD. If you've been listening to Logan Sama on Rinse you may have already heard some of the selection and as expected it's of equal stature to the Aim High debut. I've been promised a copy tomorrow so more to follow no doubt...
Sunday, 14 November 2004
Wong To Watch
Your new track Orchestra Boroughs is out now and selling like spare ribs on a Saturday night. What’s the concept?
You’ve got myself repping South, Crazy Titch from East, JME from North then Flirta D from West. The video’s out now, the hypest video on Channel U right now.
Who is Mr Wong then?
Mr Wong is basically a Chinese boy, very energetic, crazy at times, quiet some of the time, melodical, raw and just real. My music is coming a bit different to other people out there. The way I write and the way I deliver them has character. I even do love songs.
When did you start out?
At secondary school but shit fucked up and I had to go my own way. No one around me has ever been serious, I can relate to JME’s track trust me! But now I’m 20 years old, stronger and doing me. I feel old though, I’m checking for grey hairs. I’ve released bits with Jammer and that before but this is my first big thing I feel.
What’s next?
I’m going to be doing a video for the next track, So Many, which I’ve done with a singer from North London called Charlie. It’s my secret weapon. I’m hoping to have that out by the end of the year. I’ve given Titch a track for his album and I’m trying to finish mine off too. The Getting Stronger Mix CD is coming out at the end of the month, it’s needed to be out there for a while.
Your mixtape is definitely different…
Yeah you know what I’m like, I’m broke as hell so I’m doing it cheaper. I don’t care about the money I just want to get it around. I feel the pressure, there’s a lot of competition out there, so I just got to do me and work hard.
Favourite track on it?
I don’t have one to be honest, I love everything I do and everything I produce so everything is a favourite.
Got some fresh bars for us Wong?
Yeah, try this for size…“Hello that’s what I said to your girl, she wanted a wok so I gave her a wok, she said I was sweet but she was sour, that’s why it lasted half an hour/ After the wok I took out the wok and made her some egg fried rice she was still hungry the big fat bitch so I gave her my big prawn balls/ So look at you boy, your girl wants me, she doesn’t like you, she likes me cause I can give her what you can’t, and that’s blackenese kids, I can take her China and buy her a big fat plasma tv and spring rolls, instead of the £1 chicken and chips you buy her…”
Mr Wong “Getting Stronger” is out now.
You’ve got myself repping South, Crazy Titch from East, JME from North then Flirta D from West. The video’s out now, the hypest video on Channel U right now.
Who is Mr Wong then?
Mr Wong is basically a Chinese boy, very energetic, crazy at times, quiet some of the time, melodical, raw and just real. My music is coming a bit different to other people out there. The way I write and the way I deliver them has character. I even do love songs.
When did you start out?
At secondary school but shit fucked up and I had to go my own way. No one around me has ever been serious, I can relate to JME’s track trust me! But now I’m 20 years old, stronger and doing me. I feel old though, I’m checking for grey hairs. I’ve released bits with Jammer and that before but this is my first big thing I feel.
What’s next?
I’m going to be doing a video for the next track, So Many, which I’ve done with a singer from North London called Charlie. It’s my secret weapon. I’m hoping to have that out by the end of the year. I’ve given Titch a track for his album and I’m trying to finish mine off too. The Getting Stronger Mix CD is coming out at the end of the month, it’s needed to be out there for a while.
Your mixtape is definitely different…
Yeah you know what I’m like, I’m broke as hell so I’m doing it cheaper. I don’t care about the money I just want to get it around. I feel the pressure, there’s a lot of competition out there, so I just got to do me and work hard.
Favourite track on it?
I don’t have one to be honest, I love everything I do and everything I produce so everything is a favourite.
Got some fresh bars for us Wong?
Yeah, try this for size…“Hello that’s what I said to your girl, she wanted a wok so I gave her a wok, she said I was sweet but she was sour, that’s why it lasted half an hour/ After the wok I took out the wok and made her some egg fried rice she was still hungry the big fat bitch so I gave her my big prawn balls/ So look at you boy, your girl wants me, she doesn’t like you, she likes me cause I can give her what you can’t, and that’s blackenese kids, I can take her China and buy her a big fat plasma tv and spring rolls, instead of the £1 chicken and chips you buy her…”
Mr Wong “Getting Stronger” is out now.
East Connection quickie
THE EAST CONNECTION LINK UP
What’s going on today then?
Double O: We’re behind the scenes at the East Connection track ‘The Link Up’. It’s got a nice garage/R&B lick. There’s various artists here like Demon, Bruzer, Kano, Lethal B, Fumin, Bashy, Sadie Ama, Major Ace, Kele Le Roc, Sharky Major, Nicky Slim Ting (who produced the tune), Jookie Mondo, Demon, Diesel, myself…the list goes on. It’s an all-star link up!
So when’s the track out?
Double O: So official release date yet but the video will be on Channel U soon. The concept is us all hitting three clubs and the nine artists on the tune will be doing their thing at Aquarium, Opium Lounge and that, then in-between just count those cameo’s.
What else are East Connection working on?
Double O: We’re finishing the mix cd, more R&B and rap based, the album then the garage video’s for the underground.
What about radio?
Diesel: Raw Blaze is back on now, I know people have missed it. But well and truly I just needed a break, I’ve been running radio for eight years now, I got DeJa where it is today but it’s all changed up now and I’m concentrating on Raw Blaze. There’s a new schedule and you’ll catch all of the biggest names from the underground on there.
Will Raw Blaze be here next year?
Diesel: Of course! They’ll be more video’s, we’re hoping to drop another one before Christmas. And don’t forget the frequency, nine grand…
Hear East Connection on Raw Blaze 90.00FM and lookout for The Link Up hitting stores and Channel U soon.
What’s going on today then?
Double O: We’re behind the scenes at the East Connection track ‘The Link Up’. It’s got a nice garage/R&B lick. There’s various artists here like Demon, Bruzer, Kano, Lethal B, Fumin, Bashy, Sadie Ama, Major Ace, Kele Le Roc, Sharky Major, Nicky Slim Ting (who produced the tune), Jookie Mondo, Demon, Diesel, myself…the list goes on. It’s an all-star link up!
So when’s the track out?
Double O: So official release date yet but the video will be on Channel U soon. The concept is us all hitting three clubs and the nine artists on the tune will be doing their thing at Aquarium, Opium Lounge and that, then in-between just count those cameo’s.
What else are East Connection working on?
Double O: We’re finishing the mix cd, more R&B and rap based, the album then the garage video’s for the underground.
What about radio?
Diesel: Raw Blaze is back on now, I know people have missed it. But well and truly I just needed a break, I’ve been running radio for eight years now, I got DeJa where it is today but it’s all changed up now and I’m concentrating on Raw Blaze. There’s a new schedule and you’ll catch all of the biggest names from the underground on there.
Will Raw Blaze be here next year?
Diesel: Of course! They’ll be more video’s, we’re hoping to drop another one before Christmas. And don’t forget the frequency, nine grand…
Hear East Connection on Raw Blaze 90.00FM and lookout for The Link Up hitting stores and Channel U soon.
Friday, 12 November 2004
Overground
OVERGROUND will take place on Wednesday 17th November 2004 at Cargo, 83 Rivington Street, Shoreditch, London. Performing on the night are Swiss of So Solid (Hip Hop/Garage), Karl Hinds (Hip Hop), Lain Grey (Soul band), Tor (Garage/Hip Hop), Chukki Starr (Roots reggae), Roll Deep (Grime), RDB (Bhangra), UK Warriors (Dancehall), Japlin (Soul band) and Perry Morgan (R’n’B), DJ: Frisky (De Ja Vu Fm) & Turnamuffin (Wide). And it only costs £5! Support homegrown!
Thursday, 11 November 2004
Get Random
The Solid Groove mix of Lady Sovereigns new track Random will receive it's first play on Steve Lamacq's show this coming Monday (15th). This will be followed by a 30 minute documentary that Radio One have made with Sov called Sovereign Nation. The Medasyn mix of the track is available exclusively on www.ladysovereign.com while the Menta mixes (one of which features a special guest MC) will be revealed soon.
Demon
When I saw the i-D staff wearing cardigans I laughed. Now I realise I am late and they're obviously the look for this season. Well if Demon can bust it...
Bruza
Caught up with Bruza and he's been busy laying down more tracks with Terror for his album. Get Me is on heavy rotation on Channel U so check it out if you haven't yet. Also listen for for the mosh track, Da Rush produced by the Big ED featuring Demon and Bruza
Wednesday, 10 November 2004
New Lady Sovereign biog
She’s the self proclaimed white midget with a barely there 5’1 frame. The alternative microphone vandal her witty lyrics hit like left hooks to the proverbial face, subject matter dashing between flirtations with McDonalds, smoking hash and swigging Pernod. With a moniker that reflects her love of cheap cigarettes and pikey jewellery, Lady Sovereign is a random, cheeky, outspoken teen that no one in their right mind would want living next door to them. Well tough shit, she does.
Hailing from the Chalkhill Estate in Wembley, this 18 year old girl is already bouting with the best of them. Despite having only just signed her record deal, Sovereign has already supported Basement Jaxx on their Grolsch Summer Sets (including the massive Somerset House gig), Obie Trice, Dizzee Rascal, D12 and The Streets on UK tour dates. It’s no surprise then that alongside the estates of Britain, fans also voicing approval include Mike Skinner, Steve Lamacq and Jo Whiley. This summer has seen Sovereign promote a message of inter-racial tolerance and harmony at a number of festivals and events such as Respect, Love Music Hate Racism, the Lord Mayors Urban Show and Euro Social Forum. Where many established artists battle for such prestigious slots, it’s undoubtedly her fresh, energetic and undeniably enthralling stage show that’s putting her a top of promoters wish lists. The Lady Sovereign school of thought is working in a world of mass, over produced pop fodder.
Her genre defying appeal is easily understood. Bang some pots and pans together and Sovereign will ride it. A product of 90’s youth culture, her music’s the curent sound of inner city estates, obvious influence taken from popular dance movements such as grime, garage and jungle while also embracing ragga, hip hop, R&B, hardcore, country and western. Amongst her eclectic collection you may even find Tracy Chapman, Charles and Eddy or Ace of Base. Other current favorites include Wiley, Dizzee, Stush, Taz, Missy Elliott and Outkast - anyone who’s braving it and doing their own thing.
Sovereign has graced the pages of magazine and newspapers including NME, The Face, Touch, Time Out, B&S, The Telegraph, Evening Standard and The Guardian. Further underlying her status, her website www.ladysovereign.com has proved very popular, since launched in July while her profile on facepic.com has already garnered 80,000 hits.
Yet the support hasn’t always been there. Inspired by Ms Dynamite, dedicated Mac FM listener, Lady Sovereign, then 14, decided to put pen to paper. When she started trying to get herself heard on internet sites the chorus of disapproval was more than evident. Her first feature in a 2002 edition of Touch magazine met with a blaze of hate mail, but Sovereign used this battle field as a training ground and is now confident that she can send home challengers and weak opponents in a lyrical body bag.
Alongside her DJ, Frampster (who she met on the So Solid forums), they formed the HLD (Heavy Like Dat) Family. A week after forming they played their first set at Brixton haunt, Orange. While the crew was only short lived, it allowed her to put in the much needed practice hours on pirate radio and in bedroom sessions at her humble council dwelling. Having left school early and with no qualifications, selling doughnuts and telesales didn’t work out and her attempt at shifting windows was a disaster. After three weeks and not one sale a career in dossing and filling up her note books with sharp 16’s seemed the only option until her dad suggested acting. A point in the right direction from welfare officers saw Sovereign packed off to drama class where she won the lead part in an educational film and a chance to record for the soundtrack. Through a friend of a friend, the demo landed in producer Medasyns lap and things haven’t been the same since.
By the summer of 2003 her first collaboration, “The Battle” produced by Medasyn featuring Sovereign, Shystie, Frost P and Zus Rock was signed to Casual Records. Her first solo outing, “Little Bit of Shhh!” followed in June 2004 on white label and Casual Records then released, “Ch Ching”, a reworking of Sunship's garage classic “Cheque One Two”. Both tracks, despite their limited vinyl release, received widespread support from the underground to the suburbs and beyond, “Ch Ching” getting played on every Radio 1 specialist show and “Little Bit of Shhh!” going on to be playlisted at 1Xtra in addition to being one of the most requested videos on Channel U. A cameo performance on The Streets “Fit But You Know It” remix (679 Recordings) alongside Donae’o, Kano and Tinchy Stryder also followed similar suit, garnering critical acclaim.
Touring aside, Sovereign is recording tracks for her debut album due for release in spring 2005. Apart from her self-produced material, producers aiding and abetting already include Medasyn, Target & Danny Weed (Roll Deep), Menta (Daniel Bedingfield, Ms Dynamite) and Wonder (Dizzee Rascal) with potential collaborations coming from Mike Skinner (The Streets) and Basement Jaxx. In the meantime more food for thought will be provided when Sovereigns latest outing, “Random” gets released in January 2005 on Casual Records.
Regardless of gender or generation, you can be assured that Sovereign’s the queen set to reign supreme.
Words: Chantelle Fiddy
Hailing from the Chalkhill Estate in Wembley, this 18 year old girl is already bouting with the best of them. Despite having only just signed her record deal, Sovereign has already supported Basement Jaxx on their Grolsch Summer Sets (including the massive Somerset House gig), Obie Trice, Dizzee Rascal, D12 and The Streets on UK tour dates. It’s no surprise then that alongside the estates of Britain, fans also voicing approval include Mike Skinner, Steve Lamacq and Jo Whiley. This summer has seen Sovereign promote a message of inter-racial tolerance and harmony at a number of festivals and events such as Respect, Love Music Hate Racism, the Lord Mayors Urban Show and Euro Social Forum. Where many established artists battle for such prestigious slots, it’s undoubtedly her fresh, energetic and undeniably enthralling stage show that’s putting her a top of promoters wish lists. The Lady Sovereign school of thought is working in a world of mass, over produced pop fodder.
Her genre defying appeal is easily understood. Bang some pots and pans together and Sovereign will ride it. A product of 90’s youth culture, her music’s the curent sound of inner city estates, obvious influence taken from popular dance movements such as grime, garage and jungle while also embracing ragga, hip hop, R&B, hardcore, country and western. Amongst her eclectic collection you may even find Tracy Chapman, Charles and Eddy or Ace of Base. Other current favorites include Wiley, Dizzee, Stush, Taz, Missy Elliott and Outkast - anyone who’s braving it and doing their own thing.
Sovereign has graced the pages of magazine and newspapers including NME, The Face, Touch, Time Out, B&S, The Telegraph, Evening Standard and The Guardian. Further underlying her status, her website www.ladysovereign.com has proved very popular, since launched in July while her profile on facepic.com has already garnered 80,000 hits.
Yet the support hasn’t always been there. Inspired by Ms Dynamite, dedicated Mac FM listener, Lady Sovereign, then 14, decided to put pen to paper. When she started trying to get herself heard on internet sites the chorus of disapproval was more than evident. Her first feature in a 2002 edition of Touch magazine met with a blaze of hate mail, but Sovereign used this battle field as a training ground and is now confident that she can send home challengers and weak opponents in a lyrical body bag.
Alongside her DJ, Frampster (who she met on the So Solid forums), they formed the HLD (Heavy Like Dat) Family. A week after forming they played their first set at Brixton haunt, Orange. While the crew was only short lived, it allowed her to put in the much needed practice hours on pirate radio and in bedroom sessions at her humble council dwelling. Having left school early and with no qualifications, selling doughnuts and telesales didn’t work out and her attempt at shifting windows was a disaster. After three weeks and not one sale a career in dossing and filling up her note books with sharp 16’s seemed the only option until her dad suggested acting. A point in the right direction from welfare officers saw Sovereign packed off to drama class where she won the lead part in an educational film and a chance to record for the soundtrack. Through a friend of a friend, the demo landed in producer Medasyns lap and things haven’t been the same since.
By the summer of 2003 her first collaboration, “The Battle” produced by Medasyn featuring Sovereign, Shystie, Frost P and Zus Rock was signed to Casual Records. Her first solo outing, “Little Bit of Shhh!” followed in June 2004 on white label and Casual Records then released, “Ch Ching”, a reworking of Sunship's garage classic “Cheque One Two”. Both tracks, despite their limited vinyl release, received widespread support from the underground to the suburbs and beyond, “Ch Ching” getting played on every Radio 1 specialist show and “Little Bit of Shhh!” going on to be playlisted at 1Xtra in addition to being one of the most requested videos on Channel U. A cameo performance on The Streets “Fit But You Know It” remix (679 Recordings) alongside Donae’o, Kano and Tinchy Stryder also followed similar suit, garnering critical acclaim.
Touring aside, Sovereign is recording tracks for her debut album due for release in spring 2005. Apart from her self-produced material, producers aiding and abetting already include Medasyn, Target & Danny Weed (Roll Deep), Menta (Daniel Bedingfield, Ms Dynamite) and Wonder (Dizzee Rascal) with potential collaborations coming from Mike Skinner (The Streets) and Basement Jaxx. In the meantime more food for thought will be provided when Sovereigns latest outing, “Random” gets released in January 2005 on Casual Records.
Regardless of gender or generation, you can be assured that Sovereign’s the queen set to reign supreme.
Words: Chantelle Fiddy
Monday, 8 November 2004
Help Needed!
It was only a matter of time til I needed some help, I'm not entirely down with all this stuff so if anyone could tell me how I can make a link bar type thingy then I'd be most grateful. On a more exciting note, I'm keen to collate a round up of the year and instead of just running DJ top 5's of 2004 in my Blues & Soul column I'd love to have feedback from the people. If you're up for submitting your top 5 for potential inclusion in the mag please post or email me. Much obliged!
That Letter
Following a few requests I've decided to succumb and upload the seeminly infamous Riko letter published in Deuce last year... Currently awaiting trial in December here's wishing Riko all the best in busting his case.
HMP THE WEARE
ROTHERHAM ROAD
CASTLETOWN
PORTLAND
DORSET DT5 1PZ
Dear Deuce,
Wha gwarn people? Riko Dan here, aka King of Grime, aka Aggi Mic Masta, aka Da Gyal Dem Friend. Well this is the deal. Deuce magazine, the ruffest and tuffest urban music mag in the country, have allowed me to write a letter to you lot to clear a few things up and to tell you the truth, there’s nothing more I’d rather do.
As some of you know, I’m a reformed character who is 100% committed to the musical cause and I’ve put my bad boy days behind me but I ended up back inside. Why? For an old case which dates back to 1999, a shitty commercial burglary which took the police three and a half years to find out about. It seems like locking me up for three years already wasn’t enough, so they decided to bring me back for nine months, which isn’t long out there but in here it’s a fucking lifetime. You get me? I suppose it’s my own fault because it’s true that what you do comes back to you.
With my days I just go gym, write lyrics, use the phone and do killer cell workouts. But let me tell you something, crime is long. Going to jail is long, mixing with lowlife junkies and grasses is not the shout. Trust me. There is more than enough opportunity out there rather than get into crime. I’ve done it all in the past, armed robs, shotting, busting after man, but it didn’t get me anywhere except six different prisons all around the country. Now that’s LONG. But you know what they say there’s no point crying over spilt MC’s blood.
I get to listen to a bit of grime but not the newest stuff cos I’m in Dorset, so no pirate stations (local man dem, fix up), but I’ve got N.A.S.T.Y mix on CD, a Sidewinder tape pack, Eskimo Dance 1 & 2, Dizzee’s album and me and Doogz murking each other on Rinse.
Before I came in I recorded about six Pay As U Go album tracks, Pied Piper (Ruff Squad), No Games (OT Crew feat me and Gift), Pick Yaself Up, Poppadoms, Cock Back which is out now, and how can I forget the ultimate slewage tune (thanks to Wiley) the Igloo riddim for Neeko.
When I am out at the end of the year, my plans are to get my career back on track, finish off my album, slew Neeko again and again and again, oh yeah and get my own column in Deuce every month!
But blessed be to all my fans for sticking by me. Thanks for your support I appreciate it nuff, love you lot fe real. Big up my cartel, Gift, Slimzee, Geeneus, Dugs, Target, Dogzilla, Wiley and the rest of Rolldizzle, especially Karnage and Danny Weed. Masta B, Doug @ Soul II Soul, Bow E3, Dizzee for winning the Mercury, big up my dad coz he’s a diamond geezer, bare thanks to the people that are getting me through this, Krystal, Nicola, Sarah Xtreme, and most of all Chantelle Fiddy Cent Big Tings Fiddy. Anti Terrorist Gyal dem run tings fe real.
Last words: I hear say Neeko has been trying to slew me now I’m banged up, bit cowardly seeing as when I slewed him over Igloo he phoned me twice and begged me to stop the war. As soon as I got banged up he grows some balls. Oh well, no drama. Just have to merk him again. Watch out for Neeko Fe Dead Part 2. Very big.
Big up the Deuce crew, nuff respect. Chantizzle…you’re large.
Bless, bare love,
Soon land
Riko Dan
HMP THE WEARE
ROTHERHAM ROAD
CASTLETOWN
PORTLAND
DORSET DT5 1PZ
Dear Deuce,
Wha gwarn people? Riko Dan here, aka King of Grime, aka Aggi Mic Masta, aka Da Gyal Dem Friend. Well this is the deal. Deuce magazine, the ruffest and tuffest urban music mag in the country, have allowed me to write a letter to you lot to clear a few things up and to tell you the truth, there’s nothing more I’d rather do.
As some of you know, I’m a reformed character who is 100% committed to the musical cause and I’ve put my bad boy days behind me but I ended up back inside. Why? For an old case which dates back to 1999, a shitty commercial burglary which took the police three and a half years to find out about. It seems like locking me up for three years already wasn’t enough, so they decided to bring me back for nine months, which isn’t long out there but in here it’s a fucking lifetime. You get me? I suppose it’s my own fault because it’s true that what you do comes back to you.
With my days I just go gym, write lyrics, use the phone and do killer cell workouts. But let me tell you something, crime is long. Going to jail is long, mixing with lowlife junkies and grasses is not the shout. Trust me. There is more than enough opportunity out there rather than get into crime. I’ve done it all in the past, armed robs, shotting, busting after man, but it didn’t get me anywhere except six different prisons all around the country. Now that’s LONG. But you know what they say there’s no point crying over spilt MC’s blood.
I get to listen to a bit of grime but not the newest stuff cos I’m in Dorset, so no pirate stations (local man dem, fix up), but I’ve got N.A.S.T.Y mix on CD, a Sidewinder tape pack, Eskimo Dance 1 & 2, Dizzee’s album and me and Doogz murking each other on Rinse.
Before I came in I recorded about six Pay As U Go album tracks, Pied Piper (Ruff Squad), No Games (OT Crew feat me and Gift), Pick Yaself Up, Poppadoms, Cock Back which is out now, and how can I forget the ultimate slewage tune (thanks to Wiley) the Igloo riddim for Neeko.
When I am out at the end of the year, my plans are to get my career back on track, finish off my album, slew Neeko again and again and again, oh yeah and get my own column in Deuce every month!
But blessed be to all my fans for sticking by me. Thanks for your support I appreciate it nuff, love you lot fe real. Big up my cartel, Gift, Slimzee, Geeneus, Dugs, Target, Dogzilla, Wiley and the rest of Rolldizzle, especially Karnage and Danny Weed. Masta B, Doug @ Soul II Soul, Bow E3, Dizzee for winning the Mercury, big up my dad coz he’s a diamond geezer, bare thanks to the people that are getting me through this, Krystal, Nicola, Sarah Xtreme, and most of all Chantelle Fiddy Cent Big Tings Fiddy. Anti Terrorist Gyal dem run tings fe real.
Last words: I hear say Neeko has been trying to slew me now I’m banged up, bit cowardly seeing as when I slewed him over Igloo he phoned me twice and begged me to stop the war. As soon as I got banged up he grows some balls. Oh well, no drama. Just have to merk him again. Watch out for Neeko Fe Dead Part 2. Very big.
Big up the Deuce crew, nuff respect. Chantizzle…you’re large.
Bless, bare love,
Soon land
Riko Dan
Rhythm Divisions slot
1. Trim feat Wiley, Riko, D Double E & Footsie – Boogeyman (White)
2. D.O.K – Shock Anthem (Aftershock)
3. Charmzy – R Ha (VIP) (Black Ops)
4. Wiley – Ice Cream/Fire Hydrant Rmx (White)
5. NASTY Crew feat Dynasty – Hackney Man (White)
6. More2DaDloor – Da 4 Star EP (More2DaFloor)
7. Dizzee Rascal – Dream/Trapped (XL Recordings)
8. Ruff Squad – Move (White)
9. Ruff Squad – Love U Feel (White)
10. Sunship feat Warrior Queen – Almighty Father (Casual)
Compiled by Sparky @ Rhythm Division, Roman Road, Bow E3.
You can listen to audio mentioned in this chart at www.rhythmdivision.co.uk
2. D.O.K – Shock Anthem (Aftershock)
3. Charmzy – R Ha (VIP) (Black Ops)
4. Wiley – Ice Cream/Fire Hydrant Rmx (White)
5. NASTY Crew feat Dynasty – Hackney Man (White)
6. More2DaDloor – Da 4 Star EP (More2DaFloor)
7. Dizzee Rascal – Dream/Trapped (XL Recordings)
8. Ruff Squad – Move (White)
9. Ruff Squad – Love U Feel (White)
10. Sunship feat Warrior Queen – Almighty Father (Casual)
Compiled by Sparky @ Rhythm Division, Roman Road, Bow E3.
You can listen to audio mentioned in this chart at www.rhythmdivision.co.uk
Vinyl preview
Trim feat Wiley, Riko, D Double E & Footsie
Boogeyman (White)
Terror Danjah has provided the perfect backing for Trim’s first official release, ‘Boogeyman’. Trim’s gravelly vocals, articulate flow and fresh style have already seen him propelled onto the MC top table and this will reaffirm his position. Add Wiley, Riko, DEE and Footsie to the agenda and you’re left with a surefire contender for tune of the year. The flipside of this vinyl also features Trim dissing Stormin over riding Wiley’s ‘Fire Hydrant’ riddim. Seriously essential.
Lethal B
Pow (Relentless)
It was obviously only a matter of time until a label snapped up the ‘Forward Riddim’ and now it’s in the hands of Relentless. Having renamed the tune, lost some verses, and gained a chorus ‘Pow’ doesn’t have the same impact as the original but is still the tune guaranteed to hype any dance, anywhere. Loved by young and old, the anthem of 2004 should garner chart success this November on it’s official release.
Mr Wong feat Crazy Titch, JME and Flirta D
Orchestral Boroughs (White)
While Mr Wong’s name may be new it’s unlikely you’ll forget it after hearing this. Mr Wong, who’s previously released tracks with Jammer, is one of the most energetic producers and MC’s to have emerged from the underground dance scene in recent months. ‘Orchestral Boroughs’ Is a highly melodic track as the title suggest and sees MC’s from all four corners of London representing their ends. Keep your eyes peeled for the video.
Riko feat Dog-z and Discarda
Critical (Aim High)
The next release on DJ Target’s Aim High label, ‘Critical’ follows on where ‘Chosen One’ left off. “Critical, my life’s upside down, fucked up thoughts in my head go round, and round, and round…” With the aid of Dog-Z and Discarda the trio tell the tale of life in shit lane. Riko is fast proving he’s got an ear for hooks and this should set the pace for those attempting a more hip hop influenced vein of grime. Some of their best work to date.
P Jam feat D Double E
Anger Management (White)
P Jam, another blast from the past, makes a welcome return with ‘Anger Management’. One of the best instrumentals currently doing the dubplate rounds is blessed with D Double E’s appearance. A bass heavy, infectious track, this deserves serious rotation and needs to be in any self respecting DJ’s box.
Kano feat Lethal B, Ghetto & Demon
P’s & Q’s remix (679 Recordings)
Kano’s DaVinChe produced debut with 679 Recordings, ‘P’s & Q’s’, has raised more eyebrows than first expected. And that ain’t a bad thing. With the original now playlisted on Choice FM and receiving serious airplay it’s time for a re-lick courtesy of Lethal B, Ghetto and Demon, all supplying some hectic bars. As good as the original, just crunk it.
Crazy Titch
Sing-a-Long (White)
‘Sing-a-Long’, produced by Crazy Tim is one of the most sought after dubs of now, highly original there’s nothing on the shelves sounding like this. The instrumental samples some serious strings conjuring images of ballroom dancing, lace it with some Titch lyrics and you’ve got a track that’s even catchier than his debut ‘I Can C U.’ Having stepped up his game in 2004, Titch and Tim are both names to be watching closely in the ’05.
Boogeyman (White)
Terror Danjah has provided the perfect backing for Trim’s first official release, ‘Boogeyman’. Trim’s gravelly vocals, articulate flow and fresh style have already seen him propelled onto the MC top table and this will reaffirm his position. Add Wiley, Riko, DEE and Footsie to the agenda and you’re left with a surefire contender for tune of the year. The flipside of this vinyl also features Trim dissing Stormin over riding Wiley’s ‘Fire Hydrant’ riddim. Seriously essential.
Lethal B
Pow (Relentless)
It was obviously only a matter of time until a label snapped up the ‘Forward Riddim’ and now it’s in the hands of Relentless. Having renamed the tune, lost some verses, and gained a chorus ‘Pow’ doesn’t have the same impact as the original but is still the tune guaranteed to hype any dance, anywhere. Loved by young and old, the anthem of 2004 should garner chart success this November on it’s official release.
Mr Wong feat Crazy Titch, JME and Flirta D
Orchestral Boroughs (White)
While Mr Wong’s name may be new it’s unlikely you’ll forget it after hearing this. Mr Wong, who’s previously released tracks with Jammer, is one of the most energetic producers and MC’s to have emerged from the underground dance scene in recent months. ‘Orchestral Boroughs’ Is a highly melodic track as the title suggest and sees MC’s from all four corners of London representing their ends. Keep your eyes peeled for the video.
Riko feat Dog-z and Discarda
Critical (Aim High)
The next release on DJ Target’s Aim High label, ‘Critical’ follows on where ‘Chosen One’ left off. “Critical, my life’s upside down, fucked up thoughts in my head go round, and round, and round…” With the aid of Dog-Z and Discarda the trio tell the tale of life in shit lane. Riko is fast proving he’s got an ear for hooks and this should set the pace for those attempting a more hip hop influenced vein of grime. Some of their best work to date.
P Jam feat D Double E
Anger Management (White)
P Jam, another blast from the past, makes a welcome return with ‘Anger Management’. One of the best instrumentals currently doing the dubplate rounds is blessed with D Double E’s appearance. A bass heavy, infectious track, this deserves serious rotation and needs to be in any self respecting DJ’s box.
Kano feat Lethal B, Ghetto & Demon
P’s & Q’s remix (679 Recordings)
Kano’s DaVinChe produced debut with 679 Recordings, ‘P’s & Q’s’, has raised more eyebrows than first expected. And that ain’t a bad thing. With the original now playlisted on Choice FM and receiving serious airplay it’s time for a re-lick courtesy of Lethal B, Ghetto and Demon, all supplying some hectic bars. As good as the original, just crunk it.
Crazy Titch
Sing-a-Long (White)
‘Sing-a-Long’, produced by Crazy Tim is one of the most sought after dubs of now, highly original there’s nothing on the shelves sounding like this. The instrumental samples some serious strings conjuring images of ballroom dancing, lace it with some Titch lyrics and you’ve got a track that’s even catchier than his debut ‘I Can C U.’ Having stepped up his game in 2004, Titch and Tim are both names to be watching closely in the ’05.
Rolling Deeper
Contrary to previous reports, Roll Deep have now signed an album deal with Relentless Records after negotiations with Island broke down. Although the finer details are sketchy, the move has been confirmed by a spokesperson for Roll Deep who said “We’re really happy to finally have the chance to get our music further out there. People are going to be surprised by what’s coming.” Rumour has it the salsa inflicted ‘Shake A Leg’ (currently receiving some dubplate plays) may be the first single. Relentless, who have had recent success with the likes of Joss Stone and Jay Sean, have also just snapped up Lethal B ‘Pow'. It seems the label is securing it’s street connections again, after all let’s not forget it was Relentless who shook up the urban sector introducing acts such as So Solid, Artful Dodger and Daniel Bedingfield to the mainstream (no points for that swag Romeo album though).
Roll Deep have also teamed up with Vauxhall for the Rolling Deeper DVD. A thirty minute outing, it features err, cars, motorbikes, more cars, cars and err, Roll Deep. You can see them hanging out, sleeping, exclusive footage of Wiley and Riko in the studio, and hear some deep new music. A tad short it will leave you wanting more but that’s the whole point, right? Keep your eyes peeled. (Word is that there’s a further five Roll Deep DVD’s ready to go).
Roll Deep have also teamed up with Vauxhall for the Rolling Deeper DVD. A thirty minute outing, it features err, cars, motorbikes, more cars, cars and err, Roll Deep. You can see them hanging out, sleeping, exclusive footage of Wiley and Riko in the studio, and hear some deep new music. A tad short it will leave you wanting more but that’s the whole point, right? Keep your eyes peeled. (Word is that there’s a further five Roll Deep DVD’s ready to go).
Monday, 25 October 2004
Durrty Doogz
Signed, or not signed, that is the question. “I’m on my way with Polydor, but I can’t remember putting a signature on any (record company) contracts yet so I’m not going to tell people anything official…”
At least Doogz is honest. Despite reports of million pound deals, (including one recent article, which falsely speculated that the twenty two-year-old from Walthamstow had been signed to Sony for over a year), there are still no bona fide details on any business moves, official releases, or videos. And while the music industry and taste-makers the country over have got as excited about grime as America did over Janet’s maturing nipple, Doogz has made a distinctive move to align himself with the hip hop and bashment world.
More commonly associated in the past with top raves such as Sidewinder, clashing the likes of Wiley, and rolling with his crew Boyz In Da Hood, it’s all a training ground Doogz is apparently laying to rest.
“They (Boyz In Da Hood) don’t make the music I make. I’m letting Crazy Titch; my brother run that now. I put in my work last year, on the grind, on the underground. It served a purpose, I had to take a step down to step up but I shoulda been doing that at 17or 18 but then I was on the roads then. Mans going international now.”
Since been ‘off road’, Doogz has taken twists on many paths in his life. He declares himself conscious and righteous, meaning he lives his life ‘in as best way possible’, as well as naming God as his number one influence. Another thing Doogz seems to have acquired is an admirable injection of irreversible confidence.
Despite recently making outbound journeys to Miami and Jamaica where he worked with Black Shadow (Sean Paul), and hung with Buju Banton and Morgan Heritage the debut album will be a big-name-free zone.
“UK artists aren’t taken that seriously, but that’s no one else’s fault, there was no reason for them to be taken seriously. If you need to collaborate with a known artist before you come out then you’re not worth coming out…When I come out and people hear Doogz then they can feature with me. Every morning I know it’s alright cause where this is taking me it’s in his (Gods) plan.”
While he lays the final laurels of the streets to rest, completes his album with producer Flow and concludes his paperwork, Doogz is planing to shift 500 of his next release, Boom Boom, produced by himself and Fusion, out of the back of his car.
“It’s not even going to the shops for now. It’s just keeping it at the music level before it gets taken to the business level. If people are waiting on your main tune it can get too messy. Forget politics cor’ this is just another warm up.”
And like the hole in the ozone layer that heats up the English summer, you can bet your sunscreen that as hard as he is to find, it’ll be Doogz that’s scorching your sound system.
CHANTELLE FIDDY
Doogz – Boom, Boom is available from Doogz car boot now (*N.B. He's also now changed his name to Goodz)
A version of this article appeared in i-D Magazine 2004.
At least Doogz is honest. Despite reports of million pound deals, (including one recent article, which falsely speculated that the twenty two-year-old from Walthamstow had been signed to Sony for over a year), there are still no bona fide details on any business moves, official releases, or videos. And while the music industry and taste-makers the country over have got as excited about grime as America did over Janet’s maturing nipple, Doogz has made a distinctive move to align himself with the hip hop and bashment world.
More commonly associated in the past with top raves such as Sidewinder, clashing the likes of Wiley, and rolling with his crew Boyz In Da Hood, it’s all a training ground Doogz is apparently laying to rest.
“They (Boyz In Da Hood) don’t make the music I make. I’m letting Crazy Titch; my brother run that now. I put in my work last year, on the grind, on the underground. It served a purpose, I had to take a step down to step up but I shoulda been doing that at 17or 18 but then I was on the roads then. Mans going international now.”
Since been ‘off road’, Doogz has taken twists on many paths in his life. He declares himself conscious and righteous, meaning he lives his life ‘in as best way possible’, as well as naming God as his number one influence. Another thing Doogz seems to have acquired is an admirable injection of irreversible confidence.
Despite recently making outbound journeys to Miami and Jamaica where he worked with Black Shadow (Sean Paul), and hung with Buju Banton and Morgan Heritage the debut album will be a big-name-free zone.
“UK artists aren’t taken that seriously, but that’s no one else’s fault, there was no reason for them to be taken seriously. If you need to collaborate with a known artist before you come out then you’re not worth coming out…When I come out and people hear Doogz then they can feature with me. Every morning I know it’s alright cause where this is taking me it’s in his (Gods) plan.”
While he lays the final laurels of the streets to rest, completes his album with producer Flow and concludes his paperwork, Doogz is planing to shift 500 of his next release, Boom Boom, produced by himself and Fusion, out of the back of his car.
“It’s not even going to the shops for now. It’s just keeping it at the music level before it gets taken to the business level. If people are waiting on your main tune it can get too messy. Forget politics cor’ this is just another warm up.”
And like the hole in the ozone layer that heats up the English summer, you can bet your sunscreen that as hard as he is to find, it’ll be Doogz that’s scorching your sound system.
CHANTELLE FIDDY
Doogz – Boom, Boom is available from Doogz car boot now (*N.B. He's also now changed his name to Goodz)
A version of this article appeared in i-D Magazine 2004.
Subscribe to:
Posts (Atom)
Posts
